“Imagination in poetry, as distinguished from mere fancy is the transfiguring of the real or actual to the ideal.”

— Alfred Austin

Prose Papers on Poetry Macmillan & Co 1910.
Prose Papers on Poetry (1910)

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Alfred Austin 56

British writer and poet 1835–1913

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“That is, art is not the cancelling of the actual and imperfect, and the putting in its place of a vague and fanciful perfection that is only an illusory abstraction after all; it is the transfiguring of the actual by the ideal that is actually immanent in it. The actual hides in itself an ideal that is its true reality and destination, and this hidden ideal it is the function of art to reveal.”

George Holmes Howison (1834–1916) American philosopher

Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), The Art-Principle as Represented in Poetry, p.183

“Poetry belongs to the real things—to the realm of the ideal which is "the only real."”

Florence Earle Coates (1850–1927) American writer and poet

On poetry

“There is poetry and there is beauty in real sympathy; but there is more — there is action. The noblest and most powerful form of sympathy is not merely the responsive tear, the echoed sigh, the answering look; it is the embodiment of the sentiment in actual help.”

Octavius Winslow (1808–1878) English theologian

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 574.

“No disease of the imagination is so difficult to cure, as that which is complicated with the dread of guilt: fancy and conscience then act interchangeably upon us, and so often shift their places, that the illusions of one are not distinguished from the dictates of the other.”

E.M. Forster (1879–1970) English novelist

Source: Commonplace Book (1985), p. 76

“The actual world cannot be distinguished from a world of imagination by any description. Hence the need of pronoun and indices, and the more complicated the subject the greater the need of them.”

Charles Sanders Peirce (1839–1914) American philosopher, logician, mathematician, and scientist

On The Algebra of Logic (1885)
Context: I have taken pains to make my distinction of icons, indices, and tokens clear, in order to enunciate this proposition: in a perfect system of logical notation signs of these several kinds must all be employed. Without tokens there would be no generality in the statements, for they are the only general signs; and generality is essential to reasoning. … But tokens alone do not state what is the subject of discourse; and this can, in fact, not be described in general terms; it can only be indicated. The actual world cannot be distinguished from a world of imagination by any description. Hence the need of pronoun and indices, and the more complicated the subject the greater the need of them.

“There is always an analogy between nature and the imagination, and possibly poetry is merely the strange rhetoric of that parallel.”

Wallace Stevens (1879–1955) American poet

The Necessary Angel (1951)

“Fancy demanding feeling from poetry! That's not the main thing at all. Radiant words, words of light, full of rhythm and music, that's poetry.”

Théophile Gautier Paris

Demander à la poésie du sentimentalisme…ce n'est pas ça. Des mots rayonnants, des mots de lumière…avec un rythme et une musique, voilà ce que c'est, la poésie.
Remark, June 22, 1863, reported in the Journal des Goncourts (Paris: Bibliothèque-Charpentier, 1888) vol. 2, p. 123, (ellipses in the original); Arnold Hauser (trans. Stanley Godman and Arnold Hauser) The Social History of Art (London: Routledge & Kegan Paul, 1951) vol. 2, p. 684.

“What we call imagination is actually the universal library of what’s real. You couldn’t imagine it if it weren’t real somewhere, sometime.”

Terence McKenna (1946–2000) American ethnobotanist

Trialogue #24: The Heavens https://www.youtube.com/watch?v=yWqvY7CGaHw Esalen, California (1992)

“The real poetry and beauty in life comes from an intense relationship with reality in all its aspects. Realism is in fact the ideal we must aspire to, the highest point of human rationality.”

Robert Greene book The 50th Law

Source: The 50th Law

“First of all, the art of living; then as my ideal profession, poetry and philosophy, and as my real profession, plastic arts; in the last resort, for lack of income, illustrations.”

Paul Klee (1879–1940) German Swiss painter

Quote of Klee (Munich, c. 1910); as cited by Gualtieri Di San Lazzaro, Klee, Praeger, New York, 1957, p. 16
Klee was married, had a young son then and did the housework, living in an suburb of Munich
1903 - 1910

“Imagination in poetry, as distinguished from mere fancy is the transfiguring of the real or actual to the ideal.”

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Alfred Austin 56

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