“We [his art-friend & painter Morris Louis and Noland himself] were interested in Pollock but could gain no lead from him. He was too personal. But Frankenthaler showed us a way – a way to think about and use, color..”

—  Kenneth Noland

from: Abstract Art, Anna Moszynska; Thames and Hudson 1990, p. 194

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Kenneth Noland 28
American artist 1924–2010

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“Morris Louis and I were interested in how Pollock and Helen Frankenthaler [famous for her soak-painting technique] were using paint. Of necessity we had to get more interested in the stuff of painting. We talked a lot about whether to size the painting or not to size, how to mix up paint.”

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“I think that we [= Morris Louis and Noland] realized that you didn't have to assert yourself as a personality in order to be personally expressive. We felt that we could deal solely with aesthetic issues, with the meaning of abstraction, without sacrificing individuality – or quality.”

Kenneth Noland (1924–2010) American artist

Source: Color, Format and Abstract Art' (1977), pp. 99 – 105

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“When Morris Louis showed in 1958, everybody [like in 'Art News', by Tom Hess ] dismissed his work as thin, merely decorative. They still do. Louis is the really interesting case... In every sense his instincts were Abstract Expressionist, and he was terribly involved with all of that, but he felt he had to move, too.”

Frank Stella (1936) American artist

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“But there was something else that the Abstract Expressionists taught us: they began to use something besides the conventional means of art; to want other kinds of paint, or kinds of canvas, or ways of making pictures that weren't the usual ways. Some of the next generation, the Pop Art artists [like Roy Lichtenstein and Andy Warhol, picked up this attitude and began to put actual things into art. We [=w:Morris Louis and Noland] were making abstract art, but we wanted to simplify the selection of materials, and to use them in a very economical way. To get to raw canvas, to use the canvas un-stretched – to use it in more basic or fundamental ways, to use it as fabric rather than as a stretched surface.”

Kenneth Noland (1924–2010) American artist

Source: Color, Format and Abstract Art' (1977), pp. 99 – 105

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“The way to get a man interested and to hold his interest was to talk about himself, and then gradually lead the conversation around yourself—and keep it there.”

Margaret Mitchell (1900–1949) American author and journalist

“It was as if I suddenly went to a foreign country but didn't know the language, but had read enough and had a passionate interest, and was eager to live there, I wanted to live in this land; I had to live there, and master the language. [reacting on Pollock's 'Black and White' paintings show in 1951; Frankenthaler saw his painting art then for the first time in her life]”

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Quote from Abstract Expressionism, Barbara Hess, New York, Abrams, 1971, p. 29
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“Opium use is a quick way of showing a person’s character. Within months some people would be stealing from family and friends, but there were people who never did that kind of thing. I used my salary to finance my habit.”

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“United always had many amazing players, but whenever we faced them we were always, always, always scared of what Paul Scholes could do. Ask anyone from that old Arsenal team, they will tell you the same. If you let him play, he can kill you, and for me he was so underrated. The way he plays: one touch, arriving late into the box, the way he strikes the ball, his vision, his passing. Incredible. I know people used to give him some stick for his tackling, but I liked that. He put his foot in, showed some character, had a go, but I liked that about him too. For me he is one of the best midfielders I have ever seen.”

Paul Scholes (1974) English footballer

http://www.arsenal.com/news/news-archive/henry-i-was-scared-of-incredible-scholes
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“Nature shows us only the tail of the lion. But there is no doubt in my mind that the lion belongs with it even if he cannot reveal himself to the eye all at once because of his huge dimension. We see him only the way a louse sitting upon him would.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

Variant: Nature shows us only the tail of the lion. But I do not doubt that the lion belongs to it even though he cannot at once reveal himself because of his enormous size.

As quoted by Abraham Pais in Subtle is the Lord:The Science and Life of Albert Einstein (1982), p. 235 ISBN 0-192-80672-6
Source: Letter to Heinrich Zangger (10 March 1914), quoted in The Curious History of Relativity by Jean Eisenstaedt (2006), p. 126 http://books.google.com/books?id=d2bnXTOtCD8C&lpg=PP1&pg=PA126#v=onepage&q&f=false.

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