
On reworking the Ramayana in “An Interview With Daljit Nagra” https://www.thebubble.org.uk/culture/literature/an-interview-with-daljit-nagra/ in The Bubble (2014 Sept 17)
J. S. P. Tatlock The Legendary History of Britain (Berkeley: University of California Press, 1950) p. 485.
Criticism
On reworking the Ramayana in “An Interview With Daljit Nagra” https://www.thebubble.org.uk/culture/literature/an-interview-with-daljit-nagra/ in The Bubble (2014 Sept 17)
“The rhythm of a poem ceases the moment the feeling loses its intensity.”
What is a Poem - Endword - Selected Poems (1926)
The Tragic Sense of Life (1913), IV : The Essence of Catholicism
Source: The Nature and Authority of Scripture (1995), p. 20
Context: In a thoughtful series of reflections on the future of Hindu-Christian Dialogue, Klaus Klostermaier observes that there are "few Hindus who are interested in (contemporary) Christian theology, and there are fewer still who have a desire to enter into dialogue with their Christian counterparts". Others have noted that, with few notable exceptions, the initiatives for dialogue in recent times have been from the Christian side. In an earlier study, I suggested, briefly, a few possible reasons for this lack of interest on the Hindu side. The memories of colonialism and its association with aggressive Christian missionary activity, misrepresentation of other religions, and the lack of genuine interest in the study and understanding of these traditions are not easily erased. There are still barriers of mistrust to overcome.
Ibn Shu’ba al-Harrani, Tuhaf al-'Uqul, p. 239
Regarding the Advent of Karbalā
In p. 1.
Sources, Seer of the Fifth Veda: Kr̥ṣṇa Dvaipāyana Vyāsa in the Mahābhārata
Page 437 https://books.google.com/books?id=-F8wAQAAMAAJ&pg=PA437. Quote republished in " Left and Right: The Prospects for Liberty http://alexpeak.com/twr/lar/1/1/2/," Left and Right: A Journal of Libertarian Thought 1, no. 1 (Spring, 1965), pp. <span class="plainlinks"> 21 http://alexpeak.com/twr/lar/1/1/2/#p21– 22 http://alexpeak.com/twr/lar/1/1/2/#p22</span>.
"Youth" (1912), II
Context: In this conflict between youth and its elders, youth is the incarnation of reason pitted against the rigidity of tradition. Youth puts the remorseless questions to everything that is old and established,—Why? What is this thing good for? And when it gets the mumbled, evasive answers of the elders, it applies its own fresh, clean spirit of reason to the institutions, customs, and ideas, and finding them stupid, inane, or poisonous, turns instinctively to overthrow them and build in their place the things with which its visions teem.
“A poem deserves its title only inasmuch as it excites, by elevating the soul.”
The Poetic Principle (1850)
“We don’t have a tradition of masked heroes really anywhere else in the world apart from America.”
Source: “Fawkes & Robin Hood didn’t wear masks; ‘hero’ anonymity is US shtick going back to KKK – ‘V for Vendetta’ author Alan Moore to RT” https://www.rt.com/usa/537158-alan-moore-rt-interview/, Russia Today, (11 Oct, 2021)
Context: Moore said in an interview with RT’s Sophie Shevardnadze. “I mean, Guy Fawkes, who the ‘V for Vendetta’ mask is based upon – that wasn’t a mask, that was his face,” he said. Ditto for Robin Hood.