“There we were right in the heart one of the largest Metropolitan Centres of the world, partaking in a gesture that was as old as the beginning of diplomatic relations between sovereign nations in so splendid a manner as must, without doubt, be such a sobering induction to any envoy to Japan. It had a tremendous impact on my outlook, and I look eagerly forward to doing, saying, advising and thinking whatever may best serve the preservation and enhancement of Fiji in Japan.”

Letter to Ernest Fenollosa, August 1891, cited from Elizabeth Bisland (ed.) Life and Letters (Boston: Houghton Mifflin, 1922) vol. 2, p. 160.

Quoted in Henry Hitch Adams, Years to victory (1973), p. 448.

Quoted in "The China Monthly Review" - Page 47 - East Asia - 1917

Singapore Press' New Paper (29 October 2003)

Addressing the SPF Garrison at Ichigaya Camp during his failed coup attempt, as quoted at &quot;Yukio Mishima&quot; by Kerry Bolton at Counter Currents Publishing http://www.counter-currents.com/2011/01/yukio-mishima-2/; upon going back inside he is said to have commented to his followers: &quot;I don&#x27;t think they even heard me&quot;. <br class="br">Final address (1970)

From his autobiography, also requoted in Rhodes, 'The Making of the Atomic Bomb', p. 596

Japan v. United States http://www.listenonrepeat.com/watch/?v=yKYkxJ6TY0c (17 July 2011). <br class="br">2010s, 2011, 2011 FIFA Women&#x27;s World Cup

Vol. XI, p. 62
Posthumous publications, The Collected Works
Context: I think we must see this very clearly right at the beginning — that if one would solve the everyday problems of existence, whatever they may be, one must first see the wider issues and then come to the detail. After all, the great painter, the great poet is one who sees the whole — who sees all the heavens, the blue skies, the radiant sunset, the tree, the fleeting bird — all at one glance; with one sweep he sees the whole thing. With the artist, the poet, there is an immediate, a direct communion with this whole marvellous world of beauty. Then he begins to paint, to write, to sculpt; he works it out in detail. If you and I could do the same, then we should be able to approach our problems — however contradictory, however conflicting, however disturbing — much more liberally, more wisely, with greater depth and colour, feeling. This is not mere romantic verbalization but actually it is so, and that is what I would like to talk about now and every time we get together. We must capture the whole and not be carried away by the detail, however pressing, immediate, anxious it may be. I think that is where the revolution begins.