“I am hard at work, at least I work as much as the weather permits. - I began a work the motif of which is the river bank in the direction of St. Paul's Church. Looking towards Rouen I have before me all the houses on the quays lighted by the morning sun, in the background the stone bridge, to the left the island with its houses, factories, boats, launches, to the right a mass of pinnaces of all colors… Yesterday, not having the sun, I began another work on the same motif in grey weather, only I looked more to the right [603]. I must leave you for my motif. I have a room on the street. I shall start on a view of the street in fog for it has been foggy every morning until eleven o'clock—noon. It should be interesting, the square in the fog, the tramways, the goings and comings..”

— Camille Pissarro

Quote in a letter, Rouen 11 October 1883, to his son Lucien; from Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, p. 40
1880's

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Camille Pissarro 51

French painter 1830–1903

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“I am hard at work, at least I work as much as the weather permits.”

Camille Pissarro (1830–1903) French painter

I began a work the motif of which is the river bank in the direction of St. Paul's Church. Looking towards Rouen I have before me all the houses on the quays lighted by the morning sun, in the background the stone bridge, to the left the island with its houses, factories, boats, launches, to the right a mass of pinnaces of all colors.. .Yesterday, not having the sun, I began another work on the same motif in grey weather, only I looked more to the right [603]. I must leave you for my motif. I have a room on the street. I shall start on a view of the street in fog for it has been foggy every morning until eleven o'clock—noon. It should be interesting, the square in the fog, the tramways, the goings and comings..
Quote in a letter, Rouen 11 October 1883, to his son Lucien; from Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, p. 40
1880's

“One day I noticed that I could go on working art my motif no matter what the weather might be. I no longer needed the sun, for I took my light everywhere with me.”

Georges Braque (1882–1963) French painter and sculptor

Source: posthumous quotes, Braque', (1968), p. 30 - Braque's quote from the book, written by John Rusell, London 1959

“I brought Durand eight pictures, among them my 'Sunset' and the motif done from my window. They have been praised, but I find them poor, - tame, grey, monotonous, - I am not at all satisfied. - I am working with fury and I have finally discovered the right execution, the search for which has tormented me for a year. I am pretty sure I have it now, all I need is to spend this coming autumn in Rouen or in some other place where I can find striking motifs.”

Camille Pissarro (1830–1903) French painter

Quote of Pissarro, from Osny, February 1884, in a letter to his son Lucien; in Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, p. 61
1880's

“To me the motif itself is an insignificant factor; what I want to reproduce is what lies between the motif and me... Other painters paint a bridge, a house, a boat... I want to paint the air in which the bridge, the house and the boat are to be found - the beauty of the air around them, and that is nothing less than the impossible.”

Claude Monet (1840–1926) French impressionist painter

Claude Monet, in an interview, 1895; as quoted in: Paul Hayes Tucker et al. (eds). (1999) Monet in the Twentieth Century. London: Royal Academy of Arts/Boston: Museum of Fine Arts. As cited in: Steven Connor, " About There, or Thereabouts http://www.stevenconnor.com/aboutthere/aboutthere.pdf." talk given at the Catalysis conference on Space and Time, Downing College, Cambridge, 23rd March 2013.
1890 - 1900

“The day after your departure I started a new painting at Le Cours-la-Reine, in the afternoon in a glow of sun, and another in the morning by the water below St. Paul's Church. These two canvases are fairly well advanced, but I still need one session in fine weather without too much mist to give them a little firmness. Until now I have not been able to find the effect I want, I have even been forced to change the effect a bit, which is always dangerous. I have also an effect of fog... Until now I have not been able to find the effect I want, I have even been forced to change the effect a bit, which is always dangerous. I have also an effect of fog, another, same effect, from my window, the same motif in the rain, several sketches in oils, done on the quays near the boats; the next day it was impossible to go on, everything was confused, the motifs no longer existed; one has to realize them in a single session.”

Camille Pissarro (1830–1903) French painter

Quote in a letter from Rouen 11 October 1883, to his son Lucien; from Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, p. 42
1880's

“I have been to Switzerland before but not to this [Paul Kruger's] house or to a Swiss bank.”

P. W. Botha (1916–2006) South African prime minister

On a European tour as Prime Minister, 31 May 1984, as cited in PW Botha in his own words, Pieter-Dirk Uys, 1987, p. 51

“I have worked like a galley slave throughout these eight years, morning till night, and I have given all I could to this work. I am happy with the results.”

Vladimir Putin (1952) President of Russia, former Prime Minister

Quoted in The Truth About Putin and Medvedev http://www.nybooks.com/articles/21353, last annual press conference.
2006- 2010

“I am working from morning to evening, brimming with energy.. I'm fencing and wrestling with the sun. And what a sun it is! In order to paint here, one would need gold and precious stones. It is quite remarkable.”

Claude Monet (1840–1926) French impressionist painter

Quote in a letter from Cote d'Azure to sculptor and friend Auguste Rodin, 1 February 1888; as cited in R. Gordon and A. Forge (1983), Monet, p. 123
1870 - 1890

“We lived more by the sun than by the clock, but I did own a clock. It was an eight-day windup console clock which I kept on the mantel in the living room, and it was the only timepiece in the house that worked anymore.”

James Howard Kunstler book World Made By Hand

Source: World Made By Hand (2008), Chapter 4, p. 20

“For me a work of art must be an elevated interpretation of nature. The search for the ideal has been the purpose of my life. In landscape or seascape, I love above all the poetic motif.”

William-Adolphe Bouguereau (1825–1905) French painter

Attributed to Bouguereau in: Sotheby's (Firm). (1994) 19th Century European Paintings, Drawings and Sculpture. p. 123; Cited in: Adolphe William Bouguereau Quotes http://www.artandinfluence.com/2010/10/adolphe-william-bouguereau-quotes.html by Armand Cabrera, Oct. 4, 2010.

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Camille Pissarro 51

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