
Source: 1850s, An Investigation of the Laws of Thought (1854), p. 165; As cited in: James Joseph Sylvester, James Whitbread Lee Glaisher (1910) The Quarterly Journal of Pure and Applied Mathematics. p. 350
Source: 1850s, An Investigation of the Laws of Thought (1854), p. 49: as cited in: " Professor Boole's Mathematical theory http://books.google.com/books?id=tBNLAAAAYAAJ&pg=PA62" in: Henry Longueville Manse, Philosophical pamphlets, (1853), p. 6
Source: 1850s, An Investigation of the Laws of Thought (1854), p. 165; As cited in: James Joseph Sylvester, James Whitbread Lee Glaisher (1910) The Quarterly Journal of Pure and Applied Mathematics. p. 350
Source: 1850s, An Investigation of the Laws of Thought (1854), p. 37; Cited in: William Torrey Harris (1879) The Journal of Speculative Philosophy, p. 109
“Faculty X is simply that latent power in human beings possess to reach beyond the present.”
Source: The Occult: A History (1971), p. 59
Context: Faculty X is simply that latent power in human beings possess to reach beyond the present. After all, we know perfectly well that the past is as real as the present, and that New York and Singapore and Lhasa and Stepney Green are all as real as the place I happen to be in at the moment. Yet my senses do not agree. They assure me that this place, here and now, is far more real than any other place or any other time. Only in certain moments of great inner intensity do I know this to be a lie. Faculty X is a sense of reality, the reality of other places and other times, and it is the possession of it — fragmentary and uncertain though it is — that distinguishes man from all other animals.
Part III, Section 31
Principles of Philosophy of the Future http://www.marxists.org/reference/archive/feuerbach/works/future/index.htm (1843)
Kandinsky's last theoretical statement (Paris, 1942); in Kandinsky, Frank Whitford, Paul Hamlyn Ltd, London 1967, p. 38
1930 - 1944
“A man who has a language consequently possesses the world expressed and implied by that language.”
Source: Black Skin, White Masks
Source: History of Mathematics (1925) Vol.2, p.461
Original: In arte, chi ha buon gusto, possiede una qualità fondamentale durante la realizzazione di qualsiasi opera.
Source: prevale.net