“The first 'Colour charts' were unsystematic. They were based directly on commercial colour samples. They were still related to Pop Art. In the canvases that followed, the colours were chosen arbitrarily and drawn by chance. Then, 180 tones were mixed according to a given system and drawn by chance to make four variations of 180 tones. But after that the number 180 seemed too arbitrary to me, so I developed a system based on a number of rigorously defined tones and proportions... Based on mixtures of the three primary colours, along with black and white, I come up with a certain number of possible colours and, by multiplying these by two or four, I obtain a definite number of colour fields that I multiply yet again by two, etc. But the complete realization of this project demands a great deal of time and work.”

A Battle For Life (July 1958)
Context: This was a good beginning. All the outmoded rules of the hospital were broken. Minds which had been tied down by subservience to foreign experience were now set in motion. People began to speak, to think and to act boldly. A new world opened in front of them. They knew that what they were doing now was something unprecedented which doctors in capitalist countries had not been able to do. They were engaged in a battle to save lives and as the scope of the battle became wider an increasing number of people were drawn in. Later on when a difficulty occurred in the course of treatment they solicited the opinions of many doctors both within and without the hospital, depending on the wisdom of the many to tide over one crisis after another.

Source: The God Delusion (2006), p. 121

Gambara (1837)

March 29, 1958, Maclean's.

Source: Gormenghast (1950), Chapter 38 (p. 606)

Source: The Housekeeper and the Professor

As quoted in "Mistresses of the makeover" by Cathrin Schaer in New Zealand Herald http://www.nzherald.co.nz/topic/story.cfm?c_id=182&objectid=10493332&pnum=2 (25 February 2008)

Source: 1932 - 1946, The Studio 132:643', (1946), p. 279