“The figure [neo-roman writers] wish to hold out for our admiration is described again and again. He is plain and plain-hearted; he is upright and full of integrity; above all he is a man of true manliness, of dependable valour and fortitude. His virtues are repeatedly contrasted with the vices characteristic of the obnoxious lackeys and parasites who flourish at court. The courtier, instead of being plain and plain-hearted, is lewd, dissolute and debauched; instead of being upright, he is cringing, servile and base; instead of being brave, he is fawning, abject and lacking in manliness.”

—  Quentin Skinner

Source: Liberty Before Liberalism (1998), pp. 95-96

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Quentin Skinner11
British historian 1940

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“Within a surprisingly short space of time, however, the fortunes of the neo-roman theory began to decline and fall. … One reason for this collapse was that the social assumptions underlying the theory began to appear outdated and even absurd. With the extension of the manners of the court to the bourgeoisie in the early eighteenth century, the virtues of the independent country gentleman began to look irrelevant and even inimical to a polite commercial age. The hero of the neo-roman writers came to be viewed not as plain-hearted but as rude and boorish; not as upright but as obstinate and quarrelsome; not as a man of fortitude but of mere insensibility.”

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