“Mixed feelings when he [Max Ernst frequently writes about himself in the third person] enters the forest for the first time: delight and oppression. And what the Romantics spoke of as 'being at one with Nature'. Wonderful joy in breathing freely in an open space, but also anxiety at being encircled by hostile trees. Outside and inside at the same time, free and trapped.”

— Max Ernst

Quote in 'Room 6, Max Ernst', the exhibition text of FONDATION BEYELER 2 - MAX ERNST, 2013, texts: Raphaël Bouvier & Ioana Jimborean; ed. Valentina Locatelli; transl. Karen Williams
Max Ernst is describing an early childhood experience, in the third person
posthumous

Adopted from Wikiquote. Last update June 3, 2021. History

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German painter, sculptor and graphic artist 1891–1976

John Townsend (1952) Canadian clinical psychologist and author

Where Is God (2009, Thomas Nelson publishers)

“Things outside you are projections of what's inside you, and what's inside you is a projection of what's outside. So when you step into the labyrinth outside you, at the same time you're stepping into the labyrinth inside.”

Haruki Murakami book Kafka on the Shore

Source: Kafka on the Shore

“Many times I've looked into a pig's eye and convinced myself that inside that brain is a sentient being, who is looking back at me observing him wondering what he's thinking about.”

Dick King-Smith (1922–2011) English writer of children's books

Said on a television show, cited in Jeffrey Moussaieff Masson, The Pig Who Sang to the Moon: The Emotional World of Farm Animals (New York: Ballantine Books, 2004. ISBN 0-345-45282-8, ch. 1, p. 22 https://books.google.it/books?id=RbxeFLpNnxUC&pg=PA22.

“He found himself now in the agreeable situation of being able to do what was best for others and at the same time what was convenient to himself.”

W. Somerset Maugham book The Razor's Edge

p, 125
The Razor's Edge (1943)

“What one does in one's art, that is the breath of one's being. What one does in one's life, that is a bagatelle for the outsiders to fuss about.”

D.H. Lawrence book Women in Love

Source: Women in Love

“Art is internal and external. The repose a person feels in aesthetic creation comes from his, for the time, feeling he is what he is and also what he is not. Ego and otherness don't fight for the while. The artist feels he has reached form in the deepest places of his personality, because things outside himself have been see courageously, truly, respectfully by him.”

Eli Siegel (1902–1978) Latvian-American poet, philosopher

Everything Has to Do with Hardness and Softness (1969)

“Max Ernst died the 1st of August 1914. He resuscitated the 11th of November 1918 as a young man aspiring to become a magician and to find the myth of his time.”

Max Ernst (1891–1976) German painter, sculptor and graphic artist

Quote in 'Some Data on the Youth of M. E., As Told by Himself' in the w:View (April 1942); also cited in Max Ernst and Alchemy (2001) by M. E. Warlick, p. 17
Max Ernst refers to his serving-period on the Western and then on the Eastern front during World War 1 (1914-1918)
1936 - 1950

“A painter may know what he does not want.
But woe betide him if he wants to know
what he does want! A painter is lost if he finds himself.
The fact that he has succeeded in not finding
himself is regarded by Max Ernst as his only
'achievement.”

Max Ernst (1891–1976) German painter, sculptor and graphic artist

Quote from 'Max Ernst', exhibition catalogue, Galerie Stangl, Munich, 1967, U.S., pp.6-7, as cited in Edward Quinn, Max Ernst. 1984, Poligrafa, Barcelona. p. 12
1951 - 1976

“When we scrutinize the actual procedures that may be called projective methods we find a wide variety of techniques and material being employed for the same general purpose, to obtain from the subject 'what he cannot or will not say,' frequently because he does not know himself and is not aware what he is revealing about himself through his projections.”

Lawrence K. Frank (1890–1968) American cyberneticist

Source: Projective methods for the study of personality (1939), p. 404 as cited in: Gardner Lindzey (1961) Projective Techniques and Cross-Cultural Research. p. 36

“When I was young I once found a book in a Dutch translation, The 'Leaves of Grass'. It was the first time a book touched me by its feeling of freedom and open spaces, the way the poet spoke of the ocean by describing a drop of water in his hand. Walt Whitman was offering the world an open hand (now we call it democracy) and my 'Monument for Walt Whitman' became this open hand with mirrors, so you can see inside yourself.”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

Source: Karel Appel – the complete sculptures,' (1990), p. 93 'Quotes', K. Appel (1989)
Appel's quote is referring to his sculpture 'Monument for Walt Whitman', dedicated to the American poet

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