“title of Goya's undated 80 etchings, 1808 - 1814; as quoted by Robert Hughes, in: Goya. Borzoi Book - Alfred Knopf, New York, 2003, p. 272”

— Francisco De Goya

'Fatales consequensias de la sangrienta guerra en Espanã con Buonaparte. Y otros caprichos enfáticos'
the official title of Goya's series of 80 undated etchings he started to make in 1808 on the Peninsular War between France and Spain (1808-1814); most war activities and cruelties took place in Spain. None of these etchings were printed in Goya's lifetime.
1800s

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Francisco De Goya 40

Spanish painter and printmaker (1746–1828) 1746–1828

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“Caption, plate 43 of Los Caprichos etching and aquatint, 1796-97; Museo Nacional del Prado, Madrid; Robert Hughes: in Goya. Borzoi Book - Alfred Knopf, New York, 2003, p. 73”

Francisco De Goya (1746–1828) Spanish painter and printmaker (1746–1828)

El sueño de la razón produce monstruos.
The 'monsters' in this etching are bats and owls, flying around the sleeper in his dream
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“Quote from Rembrandt's 5th letter to Constantijn Huygens (Amsterdam, 27 January 1639), as cited in The Rembrandt Documents, Walter Strauss & Marjon van der Meulen - Abaris Books, New York 1979, p. 167.”

Rembrandt van Rijn (1606–1669) Dutch 17th century painter and etcher

What Rembrandt is referring to is a little painting he sent Huygens as a gift together with his letter. This quote clarifies Rembrandt's option about the light and distance, necessary for showing his painting and its colors in the right way.
1630 - 1640

“a written note of Nolde, 1903, on the island of Alsen; as quoted by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, p. 77”

Emil Nolde (1867–1956) German artist

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“in a letter to Constantijn Huygens (Amsterdam, February 1636) on a Passion Cycle of 3 paintings, commissioned already in 1635 by the imperial court, as quoted in The Rembrandt Documents, Walter Strauss & Marjon van der Meulen - Abaris Books, New York 1979, p. 129”

Rembrandt van Rijn (1606–1669) Dutch 17th century painter and etcher

What Rembrandt is referring to in his phrase "I cannot refrain from presenting you, [dear] Sir, my latest work." is very probably one or more recent etchings, Rembrandt made.
1630 - 1640

“We are informed by our judges that we at no time stand Speech to Parliament on parliamentary privilege (March/April 1542), as quoted in Holinshed's Chronicles of England, Scotland, and Ireland Volume III (1808), by Raphael Holinshed, p. 824.”

Henry VIII of England (1491–1547) King of England from 1509 until 1547

“Quote in Rembrandt's letter to Constantijn Huygens (Amsterdam, 12 January 1639) on 3 paintings commissioned (in 1635 and started by Rembrandt already in 1635/36) by the imperial court, as cited in Painters on Painting (1963) by Eric Protter, p. 78 / Dutch original text in The Rembrandt Documents, Walter Strauss & Marjon van der Meulen - Abaris Books, New York 1979, p. 161.”

Rembrandt van Rijn (1606–1669) Dutch 17th century painter and etcher

version in original Dutch (origineel citaat van Rembrandt, in Nederlands): Door die grooten lust ende geneegenheijt die ick gepleecght hebbe int wel wtvoeren van die twe/ stuckens die sijn Hoocheijt mijn heeft doen maeken weesende het een daer dat doode lichaem Chrisstij/ in den graeve gelecht werd ende dat ander/ daer Chrisstus van den doode opstaet dat met/ grooten verschrickinge des wachters. Dees selvij/ twe stuckens sijn door stuijdiose vlijt nu meede/ afgedaen soodat ick nu oock geneegen ben om die/ selvijge te leeveren om sijn Hoocheijt daer meede/ te vermaeken want deesen twe sijnt daer die meeste/ ende die naetuereelste beweechgelickheijt . in/ geopserveert is dat oock de grooste oorsaeck is dat/ die selvijge soo lang onder handen sij geweest.
in margin: deessen 12 Januwarij 1639, Mijn heer ik woon op die binnenemster, thuijs is genaemt die suijckerbackerrij [in Amsterdam]. http://remdoc.huygens.knaw.nl/#/document/remdoc/e4458
What Rembrandt meant in his phrase "die meeste ende di naetuereelste beweechgelickheijt" has been the subject of dispute. Variant translations have been proposed:
For in these two paintings "the greatest and most innate emotion has been expressed", which is also the main reason why they have taken so long to execute (c. 3 years!).
The "deepest and most lifelike emotion has been expressed", and that's the reason they have taken so long to execute.
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“Jones, Howard (2003). Death of a Generation: How the Assassinations of Diem and JFK Prolonged the Vietnam War. New York: Oxford University Press. ISBN 0195052862.”

Madame Nhu (1924–2011) First lady of South Vietnam

Sources

“Quote in a letter of 7 March 1917 to H. P. Bremmer; as cited in Mondrian, -The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 91”

Piet Mondrian (1872–1944) Peintre Néerlandais

1910's

“a later confession to his friend, in Expressionism; Praeger Publishers, New York, 1973, p. 76”

Emil Nolde (1867–1956) German artist

undated quotes

“title of Goya's undated 80 etchings, 1808 - 1814; as quoted by Robert Hughes, in: Goya. Borzoi Book - Alfred Knopf, New York, 2003, p. 272”

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Francisco De Goya 40

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