
Source: Economics after the crisis : objectives and means (2012), Ch. 1 : Economic Growth, Human Welfare, and Inequality
Source: The Social History of Art, Volume III. Rococo, Classicism and Romanticism, 1999, Chapter 2. The New Reading Public
Source: Economics after the crisis : objectives and means (2012), Ch. 1 : Economic Growth, Human Welfare, and Inequality
The Social History of Art, Volume I. From Prehistoric Times to the Middle Ages, 1999, Chapter IV. The Middle Ages
"The Social Responsibility of Business is to Increase its Profits" in The New York Times Magazine (13 September 1970) http://www.colorado.edu/studentgroups/libertarians/issues/friedman-soc-resp-business.html
Context: On the level of political principle, the imposition of taxes and the expenditure of tax proceeds are governmental functions. We have established elaborate constitutional, parliamentary and judicial provisions to control these functions, to assure that taxes are imposed so far as possible in accordance with the preferences and desires of the public — after all, "taxation without representation" was one of the battle cries of the American Revolution. We have a system of checks and balances to separate the legislative function of imposing taxes and enacting expenditures from the executive function of collecting taxes and administering expenditure programs and from the judicial function of mediating disputes and interpreting the law.
Here the businessman — self-selected or appointed directly or indirectly by stockholders — is to be simultaneously legislator, executive and, jurist. He is to decide whom to tax by how much and for what purpose, and he is to spend the proceeds — all this guided only by general exhortations from on high to restrain inflation, improve the environment, fight poverty and so on and on.
Source: The Emergence Of Probability, 1975, Chapter 4, Evidence, p. 31.
Source: Seven Great Statesmen in the Warfare of Humanity with Unreason (1915), p. 55
Context: Of all tyrannies of unreason in the modern world, one holds a supremely evil preeminence. It covered the period from the middle of the sixteenth century to the middle of the seventeenth, and throughout those hundred years was waged a war of hatreds,—racial, religious, national, and personal;—of ambitions, ecclesiastical and civil;—of aspirations, patriotic and selfish;—of efforts, noble and vile. During all those weary generations Europe became one broad battlefield,—drenched in human blood and lighted from innumerable scaffolds. In this confused struggle great men appeared—heroes and martyrs, ruffians and scoundrels: all was anarchic. The dominant international gospel was that of Machiavelli.
Part One: 1. Stultifera Navis
History of Madness (1961)
Source: The Social History of Art, Volume III. Rococo, Classicism and Romanticism, 1999, Chapter 2. The New Reading Public
Matthew Stewart, in his book The Courtier and the Heretic (2006)
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