“I should be acting the part of an ungrateful servant, unworthy of the favours which unite my duty to your great kindness, if I were not to say that his Majesty [ Charles V ] forced me to go to him and pays the expenses of my journey, I start discontented because I have not fulfilled your wish and my obligation in presenting myself to my Lord [ Pope Paul III ] and yours, and working in obedience to his intentions [to paint the Pope's portrait].... But I promise as a true servant to pay interest on my return with a new picture in addition to the first.... So with your license, Padron mio unico, I shall go, whither I am called, and returning with the grace of God, I shall serve you with all the strength of the talents which I got from my cradle..”

— Titian

In a letter to Cardinal Farnese in Rome, from Venice 24th December 1547; after the original in Rochini's 'Belazione' u.s. pp. 9-10; as quoted in Titian: his life and times - With some account of his family... Vol. 2., J. A. Crowe & G.B. Cavalcaselle, Publisher London, John Murray, 1877, pp. 164-165
Titian had to chose between Pope & Emperor when they were on the worst of terms; he decided to obey the Emperor Charles V who ordered Titian to come to his court at Augsburg, Germany
1541-1576

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Titian 20

Italian painter 1488–1576

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“Illustrious Lord, hearing that your Excellency has gone to the court of his Imperial Majesty [Charles V], I abstain from coming to Mantua, sighing at my bad fortune in not having left Bologna soon enough to meet your Grace. At Venice I shall prepare the copy of the portrait of his Majesty, which I take home with me at your Excellency's bidding.”

Titian (1488–1576) Italian painter

In a letter to the Duke of Mantua, from Bologna, 10 March 1533; as quoted by J.A.Y. Crowe & G.B. Cavalcaselle in Titian his life and times - With some account..., publisher John Murray, London, 1877, p. 370
The portrait which Titian took home and repeated a second time he doubtless sent to Charles V. The replica was not sent to Mantua till after 1536, but there it appears to have remained. Another example besides that of the Madrid Museum came into the hands of Charles the First of England.
1510-1540
Source: https://commons.wikimedia.org/wiki/Titian#/media/File:Tizian_081.jpg
Source: https://commons.wikimedia.org/wiki/Titian#/media/File:Tizian_081.jpg

“Your Ceasarean Majesty, I consigned to senõr Don Diego di Mendoza, the two portraits of the most serene Empress [ Isabella ], in which I have used all the diligence of which I was capable. I should have liked to take them to your Majesty in person, but that my age and the length of the journey forbade such a course. I beg your Majesty to send me words of the faults or failings which I may have made, and return the pictures that I may correct them. Your Majesty may not permit anyone else to lay hand on them.... Your Majesty’s most humble and constant servant, Titiano.”

Titian (1488–1576) Italian painter

In a letter to Emperor Charles V, from Venice, 5 Oct, 1544; copied in the 'Archives of Simancas' by Mr. Bergenroth; as quoted by J.A.Y. Crowe & G.B. Cavalcaselle in Titian his life and times - With some account... Volume II, publisher John Murray, London, 1877, p. 103
This letter is written by Titian himself - free from the polite style of his secretary/friend Arentino; he is telling the Emperor that he had finished two portraits of the Empress Isabella, he painted after her death after a probably Flemish original. The two portraits were sent to the court in Brussels.
1541-1576
Source: https://en.wikipedia.org/wiki/Titian#/media/File:Isabella_of_Portugal_by_Titian.jpg

“.. I also send the picture of the 'Trinity' [also called La Gloria].... in my wish to satisfy your C. M. [Caesarean Majesty] I have not spared myself the pains of striking out two or three times the work of many days to bring it to perfection and satisfy myself, whereby more time was wasted than I usually take to do such things.... the portrait of Signor Vargas [agent of Charles V, who was paying Titian for his works] introduced into the work [very probably in the 'La Gloria' / 'Trinity'] was done at his request. If it should not please your C. M. any painter can, with a couple of [brush] strokes, convert it into another person.”

Titian (1488–1576) Italian painter

In a letter from Venice to the Spanish emperor Charles V in Bruxelles, 10 Sept. 1554; original in the 'Appendix' of Titian: his life and times - With some account of his family... Vol. 2., J. A. Crowe & G.B. Cavalcaselle, Publisher London, John Murray, 1877, p. 231-232
Titian is announcing in his letter the completion and the delivery of the paintings 'Trinity' and 'Addolorata' and probably a third painting 'Christ appearing to the Magdalen', for Mary of Hungary
1541-1576

“Excellent Lord: —Knowing your Excellency's love for painting and your passion for protecting it as shown in the patronage of Ginlio Eomano; —being further desirous of pleasing your Excellency, —I have taken the opportunity of Messer Pietro Aretino's arrival [in Venice] to paint his likeness, and as he comes — a second St. Paul —to preach the virtues of your Excellency, and I likewise know that you are fond of so faithful a servant because of his many virtues, I make you herewith a present of his portrait. But I also bear in remembrance the Signor Girolamo Adorno who adored the Marquis of Mantua, and as he was a qualified gentleman, I send your Excellency a present of him also. These may not be gifts worthy of so great a person as your Excellency.... Most devoted servant, Titiano Vecellio.”

Titian (1488–1576) Italian painter

Quote from a letter of Titian, to the Marquess Gonzaga of Mantua, from Venice 22 Juin 1527; as quoted by J.A.Y. Crowe & G.B. Cavalcaselle in Titian his life and times - With some account..., publisher John Murray, London, 1877, p. 317
Assuredly Titian at this time had Messer Pietro Aretino for a sitter; this letter proves his intimacy with the secretary of Giovanni de Medici
1510-1540

“I know that a Christian should be humble, but against the Pope I am going to be proud and say to him: “You, Pope, I will not have you for my boss, for I am sure that my doctrine is divine.””

Martin Luther (1483–1546) seminal figure in Protestant Reformation

Source: Commentary on the Epistle to the Galatians (1535), Chapter 2, Verse 6

“Your Excellency, I am in receipt of His Majesty's royal order, which your excellency communicated to me on the 6th inst., accepting the offer of my work, the 'Caprichos' on eighty copper plate engraved with aqua-fortis by my hand, which I will hand to the Royal Calografia with the lot of prints which I had printed by way of precaution, amounting to two hundred and forty copies of eighty prints, in order not to defraud His Majesty in the least, and for my own satisfaction as to my mode of procedure. I am very grateful for the pension of twelve thousand reals which His Majesty has been pleased to grant to my son [Xavier Goya], for which I offer my best thanks to His Majesty, and to your excellency.... I only desire your excellency's orders, and that you may keep well. May God preserve your excellency's valuable life for many years... Your excellency's obedient and grateful servant, Franco de Goya.”

Francisco De Goya (1746–1828) Spanish painter and printmaker (1746–1828)

letter to the Minister, Don Miguel Cayetano Soler, Madrid, October 9, 1803; as quoted in the 'Gazette des Beaux-Arts', 1860, p. 241, and reproduced in facsimile in Mr. Calvert's monograph, p. 88; also by Valerian von Loga: Francisco de Goya, Berlin, 1903, p. 77
1800s

“Dear brothers and sisters after the great Pope, John Paul II, the cardinals have elected me, a simple and humble worker in the Lord's vineyard. The fact that the Lord can work and act even with insufficient means consoles me, and above all I entrust myself to your prayers. In the joy of the resurrected Lord, we go on with his help. He is going to help us and Mary will be on our side. Thank you.”

Pope Benedict XVI (1927) 265th Pope of the Catholic Church

Full text of his first public speech as pope, upon his presentation as Pope Benedict XVI
2005

“I feel that I have fulfilled the part of my duty that tied me to the Cuban revolution in its territory, and I say farewell to you, to the comrades, to your people, who now are mine.”

Ernesto Che Guevara (1928–1967) Argentine Marxist revolutionary

Farewell letter to Fidel Castro (1965)

“Robert Brent Esqr.
Sir: I am happy to find my father has applied to you, as a friend, to procure me a berth as a midshipman in the navy. Should I succeed in my wishes, at your request, my greatest ambition shall at all times be to merit the confidence reposed in me and to prove thereby, Sir, my gratitude to you. Though sixteen years old, I already begin to think myself a man! And why not? Alexander, it is said, was a little man, yet fame gives him the credit and honor of possessing a great soul! May not, Sir, great feats be performed by a little David as well as by a Goliath? Methinks I already hear the roaring of the cannons, and my soul, impatient of delay, impetuously hurries me on to the scene of action! — there — there to prove the innate courage that characterized on the rolls of fame the immortal and intrepid Major Boarman on the first occupying this happy land. With many thanks for your kind offer, I am, dear Sir, your very obedient and greatly obliged humble servant, Charles Boarman.”

Charles Boarman (1795–1879) US Navy Rear Admiral

"Charley" Boarman's personal application sent along with his father's earlier letter
A Gentlemanly and Honorable Profession: The Creation of the U.S. Naval Officer Corps, 1794-1815 (1991)

“My [dear] Sir: Let me first offer my kind regards. I agree that I should come soon to see how the picture accords with the rest. As regards the price, I certainly deserve 200 pounds for it, but shall be content with whatever His Excellency pays me. And if you, Sir, do not deem it presumptuous, I shall not neglect to requite the favor. Your humble and devoted servant Rembrandt - It [the picture] will show to [the] best advantage in His Excellency's gallery, since there it will be [displayed] in bright light.”

Rembrandt van Rijn (1606–1669) Dutch 17th century painter and etcher

Letter to Constantijn Huygens (Amsterdam, after Feb. 1636) http://remdoc.huygens.knaw.nl/#/document/remdoc/e4429
Rembrandt emphasizes here the urge for a place with bright light, necessary to view his painting well. Not certain is which painting by Rembrandt is meant here.
1630 - 1640

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