“From his entrance, in medias rape, Vytas Juozapaitis had a compelling presence as both seductive and dangerous Don Juan. He had a dash, swagger, a sense of humour, and a strong, lustrous voice. He's a good actor too. You believed both in the way he was driven by his carnality and in his self possession. In short, he embodied the music.”

— Vytautas Juozapaitis

Lloyd Schwartz, "Teatro Lirico's fire breathing Don Giovanni". Boston Phoenix (October, 2003)

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "From his entrance, in medias rape, Vytas Juozapaitis had a compelling presence as both seductive and dangerous Don Juan…" by Vytautas Juozapaitis?

Vytautas Juozapaitis photo

Vytautas Juozapaitis 24

Lithuanian opera singer 1963

Related quotes

“Vytas Juozapaitis is simply terrific as the Don; lean, agile, and the possessor of a Zorro-like sexiness, he seemed part old fashioned matinee idol, yet firmly rooted in the here and now a la Johnny Depp. Like the singer, the voice is attractive, lean and powerful. His seduction of Zerlina, smooth as silk. He had the audience in the palm of his hand.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Paulo Padillo, Opera - L (September 24, 2003)

“The slim and agile baritone, Vytas Juozapaitis, portrayed the Don as a self centered nobleman. He sang with a pleasant voice, and unlike most interpreters of the role, he had no trouble tossing off the 'Champagne Aria' at top speed.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Opera Japonica (October, 2003)

“Lithuanian baritone Vytas Juozapaitis brings presence and a warm, strong voice to the title role. When we first see him, hair flying in mid-rape, he looks like Johnny Depp in Pirates of the Caribbean.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Richard Dyer, "Teatro's Don Giovanni a rousing production". Boston Globe (September 25, 2003)

“His strength was as a thinker and a writer, a man of honour, with great moral courage. He had a way with people, enormous charm, integrity and character. He was self-possessed, had a good strong voice, and won the confidence of those who dealt with him.”

Sinnathamby Rajaratnam (1915–2006) Early life

Minister Mentor Lee Kuan Yew, on 25 February 2006, in his eulogy to Rajaratnam.

“With Vytautas Juozapaitis as a perfectly evil Don Giovanni, the Teatro Lirico d'Europa seduced an audience of about 850 at the Garde Arts Center Monday night. Juozapaitis, a singer with the Lithuanian National Opera, stood out as the despicable title character of this most famous of Mozart operas. He took over the stage with both his supple and strong voice as well as a stage presence that seemed so natural it was hard to look at him without thinking he was Don Giovanni.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Lee Howard, "'Don Giovanni' Delights Opera Fans at the Garde". The New London Day (April 1, 2004)

“The Mozart Festival Opera's production of Don Giovanni made the three hours fly. The miming between Stefano de Peppo and Vytautas Juozapaitis as Don Giovanni was great physical comedy that had the audience laughing out loud. Juozapaitis possessed the voice, swagger and stage presence to match and dominate Leporello, and his costumes are among the best I've seen. I think Mozart would have approved.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Christopher Hyde, "Mozart would have approved", Portland Press Herald (March, 2005) http://www.jennykellyproductions.com/prod_mozart_review.htm

“The reputation of a Don Juan gives to a man the most dangerous power. Wise virgins resist it, but foolish virgins frequently yield to the desire to take a celebrated lover from a rival - even from a friend. This emotion is a complex one, mad up of vanity, respect for another woman's taste, and the need to establish self-assurance by winning a difficult victory. Don Juan chose his first mistresses; later he was chosen. Byron said that he had been raped oftener than anyone since the Trojan War.”

André Maurois (1885–1967) French writer

Un Art de Vivre (The Art of Living) (1939), The Art of Loving

“He had a dashing smile. It nearly dashed right off his face.”

Shannon Hale book Austenland

Source: Austenland

“It was in these wounded days the beginning of the man he would grow to be. He bore his pain and endured his wound as if a sign he too had been blooded by the madness that’d taken ahold of the land. He no longer shied from people, from the lone riders, from the reenslaved herded South. He no longer feared their presence on the roads and his conversion was believable to him. He had lived and did not die. He was breathing. Still, it was only the beginning and he was not old enough to know these changes, did not even know enough to think this way yet.”

Robert Olmstead (1954) American writer

Coal Black Horse (2007)

“He who makes songs without feeling
Spoils both his words and his music.”

Guillaume de Machaut (1300–1377) French poet and composer

Qui de sentement ne fait,
Son dit et son chant contrefait.
"Remede de Fortune", line 407; translation from Josiah Fisk and Jeff Nichols (eds.) Composers on Music (Boston, Northeastern University Press, 1997) p. 5.

Related topics