“For myself the past is the source (for all art is vitally contemporary).”

— Cy Twombly

1950 - 1960
Source: 'Editions du Regard', January 1952, p.13; as quoted in 'A monograph', M. Whittall, London,Thames & Hudson, 2005ns du Regard. p. 9

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Cy Twombly 18

American painter 1928–2011

David Hockney (1937) British artist

Interview with Mark Feeney, "David Hockney keeps seeking new avenues of exploration" http://www.boston.com/ae/theater_arts/articles/2006/02/26/david_hockney_keeps_seeking_new_avenues_of_exploration/ Boston Globe (26 February 2006)
2000s

“Just as mainstream literature shows us how our contemporaries view the present, and historical fiction shows us how they view the past (not, of course, what the present or the past were actually like), so speculative fiction shows us how they view the future. I happen to believe that my contemporaries' view of the past is not very important; but their view of the present is quite definitely important, and their view of the future is vital.”

Gene Wolfe (1931–2019) American science fiction and fantasy writer

"The Right of Things to Come", presentation for the Science Fiction Research Association (1978), as published in Castle of Days (1992)
Nonfiction

“All contemporary forms of art have secret bonds in common.”

Eugène-Melchior de Vogüé (1848–1910) French diplomat, orientalist, travel writer, archaeologist, philanthropist and literary critic

Russian Novelists (1887), page 141 (translated by Jane Loring Edmands)

“The past is a source of knowledge, and the future is a source of hope. Love of the past implies faith in the future.”

Stephen E. Ambrose (1936–2002) American historian

“Contemporary art hates you.”

John Waters (1946) American filmmaker, actor, comedian and writer

“To be or not to be is not the question. The vital question is: how to be and how not to be?
The tendency to forget this vital question is the tragic disease of contemporary man, a disease that may prove fatal, that may end in disaster.”

Abraham Joshua Heschel (1907–1972) Polish-American Conservative Judaism Rabbi

"No Religion is an Island", p. 264
Moral Grandeur and Spiritual Audacity: Essays (1997)
Context: Just to be is a blessing. Just to live is holy. And yet being alive is no answer to the problems of living. To be or not to be is not the question. The vital question is: how to be and how not to be?
The tendency to forget this vital question is the tragic disease of contemporary man, a disease that may prove fatal, that may end in disaster. To pray is to recollect passionately the perpetual urgency of this vital question.

“Nor is it any part of my thesis to maintain that it [the detective story] is a vital and significant form of art. There are no vital and significant forms of art; there is only art, and precious little of that.”

Raymond Chandler book The Simple Art of Murder

essay, first appeared in The Atlantic Monthly (November, 1945)
The Simple Art of Murder (1950)

“The art of dancing stands at the source of all the arts that express themselves first in the human person. The art of building, or architecture, is the beginning of all the arts that lie outside the person; and in the end they unite.”

H. Havelock Ellis (1859–1939) British physician, writer, and social reformer

Source: The Dance of Life http://www.gutenberg.net.au/ebooks03/0300671.txt (1923), Ch. 2

“My only source of instruction has always been the study of works, whether of the past or contemporary artists, which can offer us an answer to our questions if we formulate these properly... I would never be of much use as a guide or instructor, nor have I ever wanted to be one, even when I have been asked to undertake the job [still, Morandi was art professor - etchings - at the Art Academy of Bologna for many years].”

Giorgio Morandi (1890–1964) Italian painter

the text of this interview was later examined by Morandi and approved in the English translation
interview with Edouard Roditi, in 'Dialogues in Art', 1960; as quoted in Morandi 1894 – 1964, published by Museo d'Arte Moderna di Bologna, ed: M. C. Bandera & R. Miracco - 2008; p. 250
1945 - 1964

“I think of myself, of all that I am. Myself, my home, my hours; the past, and the future, — it was going to be like the past!”

Henri Barbusse (1873–1935) French novelist

Light (1919), Ch. XV - An Apparition
Context: I think of myself, of all that I am. Myself, my home, my hours; the past, and the future, — it was going to be like the past! And at that moment I feel, weeping within me and dragging itself from some little bygone trifle, a new and tragical sorrow in dying, a hunger to be warm once more in the rain and the cold: to enclose myself in myself in spite of space, to hold myself back, to live.

“For myself the past is the source (for all art is vitally contemporary).”

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Cy Twombly 18

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