“Against all the retrogressive endeavors (Bohm, Schrödinger etc. and in some sense also Einstein) I am sure that the statistical character of the ψ-function and hence of nature’s laws – on which you insisted from the very beginning against Schrödinger’s resistance – will define the style of the laws at least for some centuries. It may be that later, e. g. in connection with the living processes, one will find something entirely new, but to dream of a way back, back to the classical style of Newton-Maxwell (and these are just dreams these gentlemen are giving themselves up to) seems to me hopeless, digressive, bad taste. And, we could add, it is not even a beautiful dream.”

“Society today is no longer in revolt against particular laws which it finds alien, unjust, and imposed, but against law as such, against the principle of law. And yet we must not regard this revolt as entirely negative. The energy that rejects many obsolete laws is an entirely positive impulse for renewal of life and law.”

“There are at least three fundamental ways in which the rebel impulse may become perverse: (1) [we can] get caught in a stance that always positions us against others; (2) [we can be] deficient in the power to say “no,” and hence follow the path of least resistance; and (3) [we can] seek to prolong the adolescent dream of endless possibilities, and hence live in a moratorium from commitments.”

“The musical language which made the classical style possible is that of tonality, which was not a massive, immobile system but a living, gradually changing language from its beginning. It had reached a new and important turning point just before the style of Haydn and Mozart took shape.”

“It seemed to me that had Haydn lived to our day he would have retained his own style while accepting something of the new at the same time. That was the kind of symphony I wanted to write: a symphony in the classical style. And when I saw that my idea was beginning to work, I called it the Classical Symphony.”

“Law grows, and though the principles of law remain unchanged, yet (and it is one of the advantages of the common law) their application is to be changed with the changing circumstances of the times. Some persons may call this retrogression, I call it progression of human opinion.”

“An outlaw can be defined as somebody who lives outside the law, beyond the law and not necessarily against it.”

“The new always happens against the overwhelming odds of statistical laws and their probability, which for all practical, everyday purposes amounts to certainty; the new therefore always appears in the guise of a miracle.”

“I must give some attention to the delicate question of religion, on which I have touched already. In my father's generation this question still was discussed with passion. Since then a sort of truce has existed in the countries of the West, while in the communist states of the East atheism has been made into the State religion. It is not advisable to blow on the embers of such controversies. But as I am talking about the limitations of our physical world picture I cannot but say that I do not believe in transgressions of the laws of nature. As these laws are of a statistical nature, and therefore allow deviations from the norm, I must define more clearly what I mean. The statistical deviations themselves obey certain laws. The miraculous events of religious tradition, however, are of a different kind, they lie on a different plane altogether; they are meant to prove something lying entirely beyond scientific consideration, such as the power of prayer, the intervention of divine power for or against certain men or nations.”

“I project on the surface; that is, the essence of the subject must always become visible, even if this is impossible in nature, which is not adapted to this relief style. The absence of foreshortening also plays a crucial part in the process... For I have discovered a very small, undisputed, personal possession: a particular sort of three-dimensional representation on the flat surface... I am my style.”