“The statuette, idol, fetish, or whatever it was, had been captured some months before in the wooded swamps south of New Orleans during a raid on a supposed voodoo meeting; and so singular and hideous were the rites connected with it, that the police could not but realise that they had stumbled on a dark cult totally unknown to them, and infinitely more diabolic than even the blackest of the African voodoo circles. Of its origin, apart from the erratic and unbelievable tales extorted from the captured members, absolutely nothing was to be discovered; hence the anxiety of the police for any antiquarian lore which might help them to place the frightful symbol, and through it track down the cult to its fountain-head.”

— H.P. Lovecraft

Fiction, The Call of Cthulhu (1926)

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H.P. Lovecraft 203

American author 1890–1937

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“[Responding to criticism from Dr. Hesse] Voodoo, Dr Hesse's piece de risistance', is case in point. Nobody knows it, everybody uses it as a paradigm of backwardness and confusion. And yet Voodoo has a firm though still not sufficiently understood material basis, and a study of its manifestations can be used to enrich, and perhaps even revise, our knowledge of physiology.”

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“The Sanscrit language, whatever be its antiquity, is of a wonderful structure; more perfect than the Greek, more copious than the Latin, and more exquisitely refined than either, yet bearing to both of them a stronger affinity, both in the roots of verbs and the forms of grammar, than could possibly have been produced by accident; so strong indeed, that no philologer could examine them all three, without believing them to have sprung from some common source, which, perhaps, no longer exists; there is a similar reason, though not quite so forcible, for supposing that both the Gothic and the Celtic, though blended with a very different idiom, had the same origin with the Sanscrit; and the old Persian might be added to the same family.”

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