“The main qualifications to the lesser position of painting is that advances in art are certainly not always formal ones.”

— Donald Judd

Donald Judd (1963), quoted in: Joseph Kosuth, (1969), " Art after Philosophy http://www.ubu.com/papers/kosuth_philosophy.html"
1960s

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Donald Judd 33

artist 1928–1994

Harold Rosenberg (1906–1978) American writer and art critic

Source: Art on the Edge, (1975), p. 71, "Lester Johnson's Abstract Men"

“I have had no formal training in painting: I gave up Art A level because I was sick of drawing peppers.”

Derren Brown (1971) British illusionist

Books, Portraits (2009)

“Being an artist now means to question the nature of art. If one is questioning the nature of painting, one cannot be questioning the nature of art. If an artist accepts painting (or sculpture) he is accepting the tradition that goes with it. That’s because the word art is general and the word painting is specific. Painting is a kind of art. If you make paintings you are already accepting (not questioning) the nature of art. One is then accepting the nature of art to be the European tradition of a painting-sculpture dichotomy.”

Joseph Kosuth (1945) American conceptual artist

Joseph Kosuth in: Arthur R. Rose, “Four Interviews,” Arts Magazine (February, 1969).

“The element of heroic maleness had always been present in the concept of the artist as one who rides the winged horse above the clouds beyond the sight of lesser men, a concept seldom applied to those who worked with colours until the nineteenth century. When the inevitable question is asked, "Why are there no great women artists?" it is this dimension of art that is implied. The askers know little of art, but they know the seven wonders of the painting world.”

Germaine Greer The Obstacle Race: The Fortunes of Women Painters and Their Work

Source: The Obstacle Race (1979), Chapter V: Dimension (p. 105)

“My purpose is, by Gods assistance, to set forth the Art of painting, as in old times it hath begun, as it was promoted, as it came to that wonderfull perfection mentioned in ancient Authors. The first booke toucheth the first beginnings of Picture. The second booke propoundeth diverse meanes tending to the advancement of this Art. The third booke speaketh of the maine grounds of Art, the which being well observed by the old Artificers, made them come neerer to the height of perfection.”

Franciscus Junius (the younger)

[The painting of the ancients, in three bookes, London, Printed by R. Hodgkinsonne, 1638, 1–2, https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t7hq5gq92;view=1up;seq=13]