“Mondrian is the greatest Futurist painter of the North.”

As quoted in Abstract Painting, Michel Seuphor, Dell Publishing Co., 1964, p. 36
1910's

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Filippo Tommaso Marinetti27

Italian poet and editor, founder of the Futurist movement 1876–1944

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Giorgio Morandi (1890–1964) Italian painter

in Autobiografia, G. Morandi; (1928); as quoted in Morandi 1894 – 1964, ed: M. C. Bandera & R. Miracco, Museo d'Arte Moderna di Bologna, 2008; p. 44
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“One of the canons of the futuristic painters, as propounded by Modigliani, was that objects behind other objects should not be lost to view, but should be shown through the others by making the latter transparent. The wire sculpture accomplishes this in a most decided manner.”

Alexander Calder (1898–1976) American artist

1920s, Excerpt, Statement on Wire Sculpture (1929)

“Quote in Morandi's letter of 14 Oct. 1919 to the Futurist painter Carlo Carrà; as cited in Morandi 1894 – 1964, ed: M. C. Bandera & R. Miracco, Museo d’Arte Moderna di Bologna, 2008; p. 92”

Giorgio Morandi (1890–1964) Italian painter

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“Above all, we [the Italian Futurist painters] continue and develop the divisionist principle, but we are not engaged in Divisionism [developed by Seurat and Signac ]. We apply an instinctive complementarism which is not, for us, an acquired technique, but rather a way of seeing things.”

Luigi Russolo (1885–1947) Electronic music pioneer and Futurist painter

Quote of Russolo in: Le Futurisme: Création et avant-garde, Giovanni Lista, 2001; as cited in Futurism, ed. By Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 47.
undated quotes

“The first painting to appear with an affirmation of simultaneity was mine and had the following title: 'Simultaneous visions', [Boccioni painted in 1911]. It was exhibited in the galerie Bernheim in Paris, and in the same exhibition my Futurist painter friends also appeared with similar experiments in simultaneity.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

Boccioni's quote on early realized simultaneity in his art; as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 458.
1914 - 1916, Pittura e scultura futuriste' Milan, 1914

“In the early days the Cubists' method of grasping an object was to go round and round it; the futurists declared that one had to get inside it. In my opinion the two views can be reconciled in a poetic cognition of the world. But to the very fact that they appealed to the creative depths in the painter by awakening in him hidden forces which were intuitive and vitalizing, the Futurist theories did more than the Cubist principles to open up unexplored and boundless horizons.”

Gino Severini (1883–1966) Italian painter

Source: The Life of a Painter - autobiography', 1946, Letters of the great artists', 1963, p. 248

“The Futurists were the first painters, poets, and architects who exalted modern work with their art—
they painted speeding automobiles—
they painted lamps bursting with light—
they painted steaming locomotives and swift bicyclists—
the Futurists stylized their compositions, adopting a violently colored look; with synoptic and geometric shapes they multiplied and decomposed the rhythms of objects and landscapes in order to increase their dynamic qualities and to give an effective rendering of their swift ideas, the states of mind, their conceptions.”

Fortunato Depero (1892–1960) Italian painter, writer, sculptor and graphic designer

Depero (1931) "Futurism and Adverticing Art"; Republished in: Futurism : an anthology http://modernistarchitecture.files.wordpress.com/2011/09/ebooksclub-org__futurism__an_anthology__henry_mcbride_series_in_modernism_.pdf. edited by Lawrence Rainey, Christine Poggi, and Laura Wittman, (2011), p. 290

“My dear Pratella, I submit to your futurist genius these new ideas, and I invite you to discuss them with me. I am not a musician, so that I have no acoustic preferences, nor works to defend. I am a futurist painter who projects on a profoundly loved art his will to renew everything. This is why, bolder than the bolder professional musician, totally unpreoccupied with my apparent incompetence, knowing that audacity gives all prerogatives and all possibilities, I have conceived the renovation of music through the Art of Noise.
Luigi Russolo
Painter
Milano, March 11, 1913.”

Luigi Russolo (1885–1947) Electronic music pioneer and Futurist painter

Source: 1910's, The Art of Noise', 1913, p. 12

“I was walking along the Boulevard des Italiens [in February 1912, during a group exhibition of Futurist painters in Paris] when, as I passed in front of a newspaper stand, I had the pleasant surprise of seeing on the front page of the Journal the reproduction of my picture 'The Funeral of the Anarchist Galli.”

Carlo Carrà (1881–1966) Italian painter

Source: 1940's, La mia Vita (1945), Carlo Carrà; as quoted in Futurism, ed. Didier Ottinger (2008), p. 29 - In his quote Carrà is refering to his painting 'The Funeral of the Anarchist Galli', he painted ca 1910/11

“.. since then I have found consolation in Blake; 'Without Contraries is no progression', he says in his Proverbs of Hell. And Baudelaire's idea that 'Variety is an essential condition of life' seems to me to be in perfect accord with my aspirations and with my intention, as a Futurist painter, to put life in the place occupied by reasoning in the art of the Cubist period.”

Gino Severini (1883–1966) Italian painter

Source: The Life of a Painter - autobiography', 1946, Letters of the great artists', 1963, p. 247

“Mondrian is the greatest Futurist painter of the North.”

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Filippo Tommaso Marinetti27

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