“Crooning. A reprehensible form of singing that established itself in light entertainment music in about the 1930s. It recommended itself at first to would-be singers without voices who were unable to acquire an adequate technique and later to a large public because anything, however inartistic, is likely to become popular if only it is done often enough by a large enough number of people.”

Source: Brave New World Revisited (1958), Chapter 6 (p. 47)

The Day the Universe Changed (1985), 1 - The Way We Are
Context: If something becomes common enough to turn into a ritual, and then starts to involve really large numbers of people, that's when the ritual becomes something else. It becomes widespread enough to affect the general agreement we all share. So, that's when the responsibility for running it goes out of your hands to be taken over by the institutions set up to run the rituals that matter on a regular basis, so that people can have clear rules and regulations to follow if they decide to get up to that particular ritual. The institutions take the admin out of daily life and run it for you: banking, government, sewage, tax collecting. Or, if you break the rules and regulations, one institution can take you out of daily life. This one: (James Burke displays a trial.) In every community, the law -- whether it's dressed up like this or the village elders telling you what the local custom is -- the law is all those rules I was on about earlier. I suppose what institutions like this do, most of all, is the dirty work. While they're putting them away here in the law court, for instance, that leaves us free to get on with making money, having a career, and avoiding the social responsibilities that these people have to deal with. And after a few centuries of this buck-passing, the institutions get big and powerful, and reach into everybody's lives so much they become hard to alter and virtually impossible to get rid of.

"The Second-Story Angel" (published in Black Mask, 15 November 1923)
Short Stories

Act i. Sc. 1.
Chrononhotonthologos (1734)

critical quote on Constructivism artists
1910 - 1920
Source: 'On poetry'; as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 65

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In Search of the Miraculous (1949)

Source: Christianizing the Social Order (1912), p. 109

Source: The Pillow Book

Mekubolim, 1906. Alle Verk, vi. 53.
Context: There are melodies that must have words... and melodies that sing themselves without words. The latter are of a higher grade. But these, too, depend on a voice and lips,... hence are not yet altogether pure, not yet genuine spirit. Genuine melody sings itself without a voice. It sings inside, within the heart, in man's very entrails!