“I know all beyond High Park's a desert to you.”
Act V, sc. ii
Often misquoted as "Beyond Hyde Park all is a desert".
The Man of Mode (1676)
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George Etherege 4
English writer 1635–1692Related quotes

“I'll show you a place, high on the desert plain. Where the streets have no name”
"Where the streets have no name"
Lyrics, The Joshua Tree (1987)

Illusions : The Adventures of a Reluctant Messiah (1977)

Context: I do not say that I do not know whether this faith is true, or not. I say distinctly and clearly, that I know it is not true. I admit that I do not know whether there is any infinite personality or not, because I do not know that my mind is an absolute standard. But according to my mind, there is no such personality; and according to my mind, it is an infinite absurdity to suppose that there is such an infinite personality. But I do know something of human nature; I do know a little of the history of mankind; and I know enough to know that what is known as the Christian faith, is not true. I am perfectly satisfied, beyond all doubt and beyond all per-adventure, that all miracles are falsehoods. I know as well as I know that I live—that others live—that what you call your faith, is not true.

“I will You, in all, Myself, with promise to never desert you,
To which I sign my name.”
Source: Leaves of Grass

The World Is (Below the Heavens)
Below the Heavens (2007)

“Drag a hundred-dollar bill through a trailer park, you never know what you'll find.”
January 1996; thought to be a reference to Paula Jones and her charge that President Clinton had sexually assaulted her, but Carville insisted he meant Gennifer Flowers

Revolution (2014)
Context: On the short walk to the front past the others, either bowing or kneeling or whirling or howling, I feel glad that my life is this way; so full of jarring experience. Sometimes you feel that life is full and beautiful, all these worlds, all these people, all these experiences, all this wonder. You never know when you will encounter magic. Some solitary moment in a park can suddenly burst open with a spray of preschool children in high-vis vests, hand in hand; maybe the teacher will ask you for directions, and the children will look at you, curious and open, and you’ll see that they are perfect. In the half-morning half-gray glint, the cobwebs on bushes are gleaming with such radiant insistence, you can feel the playful unknown beckoning. Behind impassive stares in booths, behind the indifferent gum chew, behind the car horns, there is connection.

Source: The Magnificent Defeat (1966)