“Music has to do with sounds, so we need to find them somewhere and it is preferred to find musical ones. You have two sources for sounds: noises, which always tell you something — a door cracking, a dog barking, the thunder, the storm; and then you have instruments. An instrument tells you, 'la-la-la-la.' Music has to find a passage between noises and instruments. It has to escape. It has to find a compromise and an evasion at the same time; something that would not be dramatic because that has no interest to us, but something that would be more interesting than sounds like Do-Re-Mi-Fa…”

Electronic Musician magazine, December 1986
Interviews

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Pierre Schaeffer8

French musicologist 1910–1995

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“The most sensitive musical instrument is the human soul. The next is the human voice. One must purify the soul until it begins to sound. A composer is a musical instrument and at the same time, a performer on that instrument. The instrument has to be in order to produce sound. One must start with that, not with the music. Through the music the composer can check whether his instrument is tuned and to what key it is tuned.”

Arvo Pärt (1935) Estonian composer

Read from his musical diaries while speaking at St. Vladimir’s Seminary https://vimeo.com/221011528/

“On electronic music: "The source is electronic, but what you do with it is the same as with acoustic instruments. Sound is sound and vibration is vibration, whether from an electronic source or an acoustic instrument.”

Vangelis (1943) Greek composer of electronic, progressive, ambient, jazz, pop rock, and orchestral music

The way we use these sources is the key in order to define the required musical result. Without neglecting the acoustic conventional instruments, I spend a fair amount of time dealing with the electronic sources of sound. But please do not think computers! Computers are extremely helpful and amazing for a multitude of scientific areas, but for me, when it comes to creation, they are insufficient and slow. Therefore all of my efforts are to stay away from that beast".
2012

“On the whole, I'm a positive, skippity-la-la person but I love the dark side of music and I will always want to explore that. It's a positive-sounding album but there's stuff underneath for sure.”

KT Tunstall (1975) Scottish singer-songwriter and guitarist

On Eye to the Telescope.
KTTunstall.com

“My philosophy is that, in life, you have to want something. If you just say "la-la-la" and go through life without a goal, nothing will happen.”

Heidi Klum (1973) German model, television host, businesswoman, fashion designer, television producer, and actress

Quoted by Eric Thurnauer for Stuff Magazine (November/December 1998)

“The time I enjoy music most is when it’s not a performance. It’s just trading instrumentals and finding that part in the song that you feel best singing.”

Carly Simon (1943) American singer-songwriter, musician and author

On how much she loves performing music with her family in “Carly Simon on Trolling Trump With ‘You’re So Vain,’ Lost Mick Jagger Duet” https://www.rollingstone.com/music/music-features/carly-simon-on-trolling-trump-with-youre-so-vain-lost-mick-jagger-duet-118291/ in Rolling Stone (29 Nov 2016)

“People call my music complex because I will have instruments playing at their own paces, as if the other instruments weren't even there. It doesn't march along in the same way that most older music does. But to me, I honestly don't think that a work like Debussy's La Mer is any less complex than my work. It's full of all sorts of sounds and textures going on at once, yet we still look at is as beautiful, structured and fluid. That's all I'm trying to do; I'm not out to compose for complexity's sake.”

Elliott Carter (1908–2012) American composer

From American Gothic: An Interview with Elliott Carter http://edwebproject.org/carter.html (1993) by Andy Carvin.

“These are the sort of things that push you on in music — the curiosity, a passion for new ideas. It's important to keep restoring that, and at the same time, hold on to the core things about music that whenever you pick the simplest form of instrument; guitar or piano, you can find a song that's worthwhile.”

Elvis Costello (1954) English singer-songwriter

dig interview (2004)

“I believe that the use of noise to make music will continue and increase until we reach a music produced through the use of electrical instruments which will make available for musical purposes any and all sounds that can be heard. Photoelectric, film and mechanical mediums for the synthetic production of music will be explored.”

John Cage (1912–1992) American avant-garde composer

Quote of John Cage, in: 'The Future of Music: Credo' (1937); SILENCE 3-4
1930s

“Wherever we are, what we hear is mostly noise. When we ignore it, it disturbs us. When we listen to it, we find it fascinating. The sound of a truck at fifty miles per hour. Static between the stations. Rain. We want to capture and control these sounds, to use them not as sound effects but as musical instruments. Every film studio has a library of "sound effects" recorded on film. With a film phonograph it is now possible to control the amplitude and frequency of any one of these sounds and to give to it rhythms within or beyond the reach of the imagination. Given four film phonographs, we can compose and perform a quartet for explosive motor, wind, heartbeat, and landslide.”

John Cage (1912–1992) American avant-garde composer

Quote of John Cage, in: 'The Future of Music: Credo' (1937); in: 'Silence: lectures and writings by Cage, John', Publisher Middletown, Conn. Wesleyan University Press, June 1961, V.
1930s

“It's easy to play any musical instrument: all you have to do is touch the right key at the right time and the instrument will play itself.”

Johann Sebastian Bach (1685–1750) German late baroque era composer

Variant: There's nothing remarkable about it. All one has to do is hit the right keys at the right time and the instrument plays itself.

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Pierre Schaeffer8

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