“The best shot in this film is the first one. Not a good sign… After the screening was over and the lights went up, I observed a couple of my colleagues in deep and earnest conversation, trying to resolve twists in the plot. They were applying more thought to the movie than the makers did. A critic's mind is a terrible thing to waste.”

— Roger Ebert

Review http://www.rogerebert.com/reviews/i-know-what-you-did-last-summer-1997 of I Know What You Did Last Summer (17 October 1997) <br class="br">Reviews, One-star reviews

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Roger Ebert264

American film critic, author, journalist, and TV presenter 1942–2013

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“I resolved, as I walked, to be the most dangerous one I could be. And in my mind, that meant one thing: thought. Think things through; then act. First be patient; then be brave.”

John C. Wright (1961) American novelist and technical writer

Source: Fugitives of Chaos (2006), Chapter 1, “Interlude with Amelia” (p. 28)

“The first place he went into was the Royal Exchange, …. where men of all ages and all nations were assembled, with no other view than to barter for interest. … David … resolved to stay no longer in a place where riches were esteemed goodness, and deceit, low cunning, and giving up all things to the love of gain were thought wisdom.”

Sarah Fielding (1710–1768) British writer

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“I often think my life has been a failure. But whenever I drop into a theater and hear women laugh at one of my films, I think, well, if I brightened their day before they went home and did the dishes, maybe my life wasn't wasted, after all.”

Cary Grant (1904–1986) British-American film and stage actor

Source: As quoted in "They Changed Their Careers and Became Famous; Cary a Failure?" https://www.newspapers.com/clip/87358421/the-boston-globe/ by Jack Harrison Pollack, Parade (November 16, 1969), p. 7; and The Filmgoer's Book of Quotes (1978) by Leslie Halliwell, p.229

“He brought the first movie camera from Germany, but nobody knows what happened to it afterwards. Maybe it is lying with some antique collector. There were absolutely no film-making facilities - production or distribution - available as people believed films had no future. But, whatever he did from scratch set a precedent for the future generations of film-makers.”

Dadasaheb Phalke (1870–1944) Indian producer-director-screenwriter

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“Finally when the movie started, I thought the bullshit ads were over, but no. First thing they showed was a "coke break" sponsored and produced by coke. […] I paid $7 for a movie, NOT FOR BULLSHIT ADVERTISEMENTS.”

Maddox (1978) American internet writer

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“Here's a movie that stretches out every moment for more than it's worth, until even the moments of inspiration seem forced. Since the basic idea of the movie is a good one and there are talented people in the cast, what we have here is a film shot down by its own forced and mannered style.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

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“The excuse that the painters were documenting reality was becoming ridiculous. Photographers and film makers went far beyond them. Already it could be said that a good portrait led one to think about the painter not the model.”

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“I always felt that the telefilm directors made wonderful films, which are even better than the big screen movies, but never got enough opportunities to showcase their talents on the big screens.”

Arin Paul (1980) Indian film director

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“I did terrible little plays in New York that we put up ourselves. My first movie was this independent that I did on the Erie Canal in 1995, called Erie, that I don't know if you could even get, actually with Felicity Huffman. And then from that I did this film that was eventually called The Broken Giant later that fall. And then I kind of started getting into doing pilots.”

Will Arnett (1970) Canadian actor

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“In my very first review I was already jaded, observing of "Galia," an obscure French film, that it "opens and closes with arty shots of the ocean, mother of us all, but in between it's pretty clear that what is washing ashore is the French New Wave." My pose in those days was one of superiority to the movies, although just when I had the exact angle of condescension calculated, a movie would open that disarmed my defenses and left me ecstatic and joyful.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Awake in the Dark: The Best of Roger Ebert (2006)

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