“Th' only way t' entertain some folks is t' listen t' 'em.”
Kin Hubbard (1868–1930) cartoonist
New Sayings by Abe Martin and Velma's Vow: A Gripping Love Tale by Miss Fawn Lippincut (1916).
Can't You Hear Me Calling: The Life of Bill Monroe, Father of Bluegrass (2009) by Richard Smith
“Th' only way t' entertain some folks is t' listen t' 'em.”
Kin Hubbard (1868–1930) cartoonist
New Sayings by Abe Martin and Velma's Vow: A Gripping Love Tale by Miss Fawn Lippincut (1916).
“News ain't just for the white man, it's for the bros and sisters too.”
Sam Donaldson (1934) American journalist
As quoted in "Respek" http://www.imdb.com/title/tt0508526/ (18 July 2004), Da Ali G Show. <br class="br">2000s <br class="br">Context: My name is Sam Donaldson and I've got a message for you. News ain't just for the white man, it's for the bros and sisters too.
Tom Lehrer (1928) American singer-songwriter and mathematician
"National Brotherhood Week"
That Was the Year That Was (1965)
Variant: Oh, the poor folks hate the rich folks,
And the rich folks hate the poor folks.
All of my folks hate all of your folks,
It's American as apple pie.
Brad Paisley (1972) American country music singer
This Is Country Music, written by Brad Paisley and Chris DuBois.
Song lyrics, This Is Country Music (2011)
Ty Cobb (1886–1961) American baseball player
Responding to the impending integration of the Dallas Rangers, as quoted in "Between the Lines" http://www.mediafire.com/view/e8dga7hnpbb7tzk/BETWEEN_THE_LINES_THE_GREAT_T(2).jpg by Dean Gordon Hancock (ANP), in The Atlanta Daily World (February 10, 1952); reproduced in "The Knife in Ty Cobb’s Back" http://www.smithsonianmag.com/history/the-knife-in-ty-cobbs-back-65618032/ (30 August 2011), Smithsonian, by Gilbert King.
Emil Nolde (1867–1956) German artist
Nolde's written note in 1942; as quoted in Nolde: Forbidden Pictures [exhibition catalog], Marlsborough Fine Art Ltd., London, 1970, p. 9
1921 - 1956
Kazimir Malevich (1879–1935) Russian and Soviet artist of polish descent
In the 'Catalogue 10th State Exhibition', Kasimir Malevich, Moscow, 1919; as quoted in Autocritique, – essays on art and anti-art 1963 – 1987, Barbara Rose, Weidenfeld & Nicolson, New York, 1988, p. 71
1910 - 1920