“And then, as you can see, I give greater and greater importance to the materials I use in my work [c. 1936]. A rich and vigorous material seems necessary to me in order to give the viewer that smack in the face that must happen before reflection intervenes. In this way, poetry is expressed through a plastic medium, and it speaks its own language.”

1915 - 1940
Source: 'Où allez-vous Miro?', Georges Duthuit in Cahiers d'Art 11, nos. 8-10, 1936

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "And then, as you can see, I give greater and greater importance to the materials I use in my work [c. 1936]. A rich and…" by Joan Miró?

Joan Miró26

Catalan painter, sculptor, and ceramicist 1893–1983

Related quotes

“Fortunately, a sculptor's style and aim are, to a great extent, dictated to him by his materials. To make a sculpture seem at all moving or inspiring, an artist must, of course, be gifted with a certain personality that speaks movingly through the subject and materials of his work. But he must select appropriate materials, and use them appropriately, too... My materials often dictate my change of aims, and I choose to work in a different material much as a man may suddenly feel an appetite for a change in diet.”

Ossip Zadkine (1890–1967) French sculptor

c. 1960
Source: 1960 - 1968, Dialogues – conversations with.., quotes, c. 1960, pp. 154-155

“An idea can only be materialized with the help of a medium of expression, the inherent qualities of which must be surely sensed and understood in order to become the carrier of an idea.”

Hans Hofmann (1880–1966) American artist

'Excerpts from the Teaching of Hans Hofmann', p. 64
Search for the Real and Other Essays (1948)

“In terms of composition the new plasticism is dualistic. Through the exact reconstruction of cosmic relations it is a direct expression of the universal; by its rhythm, by the material reality of its plastic form, it expresses the artist's individual subjectivity. It thus unfolds before us a whole world of universal beauty without thereby renouncing the human element.”

Piet Mondrian (1872–1944) Peintre Néerlandais

1910's, Natural Reality and Abstract Reality', 1919

“No doubt once it was real progress when developers and teachers offered learners tangible material in order to teach them arithmetic of whole number… The best palpable material you can give the child is its own body.”

Hans Freudenthal (1905–1990) Dutch mathematician

Source: Mathematics as an Educational Task (1973), p. 75-76; As cited in: Anne Birgitte Fyhn (2007, p. 6)

“Art on the other hand speaks to us of resignation and rejoicing in reality, and does so through a transformation of our experience of the world into an order wherein all facts become joyous; the more terrible the material the greater the artistic triumph”

Patrick Swift (1927–1983) British artist

"The Painter in the Press", X magazine, Vol. I, No.4 (October 1960).
Context: Art on the other hand speaks to us of resignation and rejoicing in reality, and does so through a transformation of our experience of the world into an order wherein all facts become joyous; the more terrible the material the greater the artistic triumph. This has nothing at all to do with "a constant awareness of the problems of our time" or any other vague public concern. It is a transformation that is mysterious, personal and ethical. And the moral effect of art is only interesting when considered in the particular. For it is always the reality of the particular that provides the occasion and the spring of art — it is always "those particular trees/ that caught you in their mysteries" or the experience of some loved object. Not that the matter rests here. It is the transcendent imagination working on this material that releases the mysterious energies which move and speak of deepest existence.

“Creation is dominated by three absolutely different factors: First, nature, which works upon us by its laws; second, the artist, who creates a spiritual contact with nature and his materials; third, the medium of expression through which the artist translates his inner world. Of those three components only one, the medium, is material.”

Hans Hofmann (1880–1966) American artist

As quoted in Hans Hofmann (1963) by William Chapin Seitz, p. 15
1960s

“You seem to be under the impression that I work for you and you can give me orders. Let me fix that." I hung up.”

Ilona Andrews American husband-and-wife novelist duo

Source: Burn for Me

“I can make it through this
You can throw the world in my face
But the fear gives me life
And I swear 'til I die
I'm gonna do it my way”

Aloe Blacc (1979) American soul singer, rapper and musician

Source: Song My Way

“Time, talent, and treasure. If people give their time to God’s work, that’s very important, and use the talents that God gives you, not for yourself, it’s for the greater glory of God, but you use your talents. Everybody's got different kind of talents, but you use some of your talents for the greater glory of building up the Kingdom of God on Earth.”

Michael Wiwchar (1932) Ukrainian Catholic bishop in the United States and Canada.

Honouree Announcement https://www.youtube.com/watch?v=TjTtG_muVhM (November 1, 2020)

“The source of my work is nature. I use it with respect and freedom. I use materials, ideas, movement and time to express a whole view of my art in the world.”

Richard Long (1945) artist

Richard Long (1982), cited in: Description of the exhibition Concentrations IX: Richard Long, March 31–July 8, 1984 at the Dallas Museum of Art http://texashistory.unt.edu/ark:/67531/metapth224905/m1/1/. <br class="br">1980s

Help us to complete the source, original and additional information

Joan Miró26

Related quotes

Related topics