“I insist on establishing the following dates indicating my prior paternity, [and the discussions that I held]
1884, 'Grande Jatte' study, exhibition of the Independants
1884-1885, 'Grande Jatte' composition
1885, studies at the 'Grande Jatte' and at Grandcamp; I took up again the 'Grande Jatte' composition October 1886. 4 October [18]85 I make Pissarro's acquaintance at Durand-Ruel's.
1886, January or February, a small canvas by Pissarro, divided and pure color, at Clozet's, the dealer on the Rue de Chateaudun.”

— Georges Seurat

Quotes, 1881 - 1890, Letter to Félix Fénéon', June 1890

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Georges Seurat 20

French painter 1859–1891

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“Here are the titles of my large canvases:
'Bathing Place' (Asnieres) 2 meters / 3 meters, exh. Independants (group) May 15, 1884. New York
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.. studies at 'the Grande Jatte' and at Honfleur at Grandchamp, Independants in 1887..”

Georges Seurat (1859–1891) French painter

Quotes, 1881 - 1890, Letter to Maurice Beaubourg', August 1890

“Signac, definitively won over and who had just modified the paintings 'The Milliner', [1885] and 'Appreteuse et garnisseuse Modes' [exhibited in May 1886], Rue de Caire, p. 174J, following my technique at the same time as I was finishing the 'Jatte'... You'll agree that there's a nuance here and that if I was unknown in [18]85 [ Félix Fénéon did not mention Seurat in his article as leader / initiator of Neo-Impressionism I nonetheless existed, I and my vision that you have described in an impersonal fashion so superbly, aside from one or two insignificant details.”

Georges Seurat (1859–1891) French painter

version B of the 'Letter to Félix Fénéon', June 1890
Quotes from version B of his letter to Félix Fénéon, Seurat provided more important information
Quotes, 1881 - 1890, Letter to Félix Fénéon', June 1890

“Shall the painter then.... decide upon painting? Shall he be the critic and sole authority? Aggressive as is this supposition, I fear that, in the length of time, his assertion alone has established what even the gentleman of the quill accept as the canons of art, and recognize as the masterpieces of work. Seurat's painting of the Grande Jatte proved extremely influential.”

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“Rood was in my possession the day after the appearance of Philippe Gille's book review, published by 'Le Figaro', 1881 (change of palette). I abandon earth colors from [18]82 to 1884. On Pissarro's advice I stop using emerald green”

Georges Seurat (1859–1891) French painter

1885
Rood etait en ma possession le lendemain du jour oil paru la revue biblio graphique de Philippe Gille, collection du Figaro 1881 [changement de palette]. J'abandonne les terres en 82 a 1884. Sur le conseil de Pissarro je lache le verr emeraud (1885
Quotes, 1881 - 1890, Letter to Félix Fénéon', June 1890

“Dear Dorothy, my biography is very short [asked for by the MOMA].... I was born in Tiflis, Caucacus, South Russia, October 25th, 1904 and after the usual studies I came to America in 1920. I had been painting steadily since I was seven and continued to do so during my three and a half years at Brown University where I studied engineering. In 1925 I came to New York and taught at the Grand Central Art School for seven years. I have been living and working ever since in New York.”

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“I feel a burning desire to become grand in simplicity.”

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