“It is not bright colors but good drawing that makes figures beautiful.”

As quoted in The Quotable Artist (2002) by Peggy Hadden, p. 32.
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Titian20

Italian painter 1488–1576

Helen Frankenthaler (1928–2011) American artist

quote about her years 1950-51 - reacting on the general view that her painting art was mainly focused on color and not on drawing / line
1960s, Interview with Barbara Rose', Archives - American Art, 1968

“Drawing is but a means to an end. One imagines that drawing can be beautiful-it is not the lines which are beautiful, but what they signify, the sentiments which they translate. In reality, there is no such thing as beauty in drawing, or color beauty lies alone in revelation of truth.”

Auguste Rodin (1840–1917) French sculptor

RODIN, AUGUSTE. L'Art. Entretiens réunis par Paul Gsell, 1911

“.. coloring is also drawing.”

Anton Mauve (1838–1888) Dutch painter (1838–1888)

Quote of Mauve; as cited by Vincent van Gogh in his letter to brother Theo http://vangoghletters.org/vg/letters/let175/letter.html, from Etten, c. 12-15 Oct. 1881] <br class="br">1880's

“Architectural drawings may look beautiful and be admired by critics but to be good, they have to work in daily use.”

Lindsey Davis book A Body in the Bath House

A Body in the Bath House

“There is a saying among art educators that a person just starting out in color will mix ten gallons of mud before learning how to make beautiful color.”

Betty Edwards (1926) American artist

Source: Color (2004), p.75

“They [his own fantasies he made in strange pencil drawings then] hover before me now in drifting color, more beautiful than I can possibly paint them.... I yearn for the day when I will have found my color harmonies, my harmonies.”

Emil Nolde (1867–1956) German artist

Quote of Nolde's letter, 1902, to Hans Fehr; as cited in Expressionism, a German intuition, 1905-1920, Neugroschel, Joachim; Vogt, Paul; Keller, Horst; Urban, Martin; Dube, Wolf Dieter; (transl. Joachim Neugroschel); publisher: Solomon R. Guggenheim Foundation, New York, 1980, p. 35
During the next few years, Nolde virtually commuted between Copenhagen and Berlin; in the fishing village of Lildstand on Jutland's northern coast, he produced strange pencil drawings, as he wrote to Fehr
1900 - 1920