“(About Prince) I recently met him, he's a Jehovah's witness, right? The first thing i said to him was "omigaaawdifuckinloveyourmusic". He looked at me with that look of his and said very softly 'uh, you have to pray that you can ban swearing out of your live, otherwise you can never please the lord" Me : I'll fuckin' try!, followed with 'did i fuckin' curse?' in which he responded "yeah, you fuckin' did".(laughs) Okay that last part I made up, but he was very serious about it. So i thought, my god, this is the guy from "Head" and from "Darling Nikki" who is mastrubating in the lobby from a hotel. In his studio he even has a curseing jar, everybody that swear has to put a $50 into it. I was speechless, and let me tell you, that does not happen to me alot. But, he is and stays a genius.”

—  Anastacia

Het stomende dubbelinterview: Natalia en Anastacia http://www.humo.be/humo-archief/29756/het-stomende-dubbelinterview-natalia-en-anastacia, Humo, September 27, 2010.
General Quotes

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "(About Prince) I recently met him, he's a Jehovah's witness, right? The first thing i said to him was "omigaaawdifuckin…" by Anastacia?
Anastacia photo
Anastacia 65
American singer-songwriter 1968

Related quotes

Cinda Williams Chima photo
Jopie Huisman photo

“One afternoon I went to visit him. [Jacob, an older and close friend of Jopie - a real freebooter]. I knew he was home, I took pen, ink and my sketchbook with me and did half a liter of gin in my pocket. He lived in the back of an alley and was sitting in his chair by the window.... I told him, 'You will get the whole bottle, but one condition. I want to make a beautiful drawing of you, so first you have to sit still for twenty minutes and look at me closely. If I look at you and you don't look at me, the deal is over....'Okay', he said. I never had a model like him before... Stock-still he sat.... and looked at me without a single blink of his eyes. Within half an hour he was there on the paper - razor-sharp... While I am writing this down, it is as if he is sitting in front of me again..”

Jopie Huisman (1922–2000) Dutch painter

translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: Op een middag ging ik bij hem op bezoek. [bij Jacob, een oudere en hechte vriend van Jopie en een echte vrijbuiter]. Ik wist dat hij thuis was, nam pen en inkt en mijn schetsboek mee en deed een halve liter jenever in mijn zak. Hij woonde achter in een steegje en zat in zijn stoel bij het raam.. .Ik zei: 'Je krijgt de hele fles van me, onder één voorwaarde. Ik wil een prachtige tekening van je maken en daarvoor moet je eerst twintig minuten doodstil zitten en me strak aankijken. Als ik naar jou kijk en jij kijkt niet naar mij, dan gaat het over.. ..'Afgesproken', zei hij. Ik heb nog nooit zo’n model gehad!.. .Doodstil zat hij.. ..en keek me zonder ook maar één keer met zijn ogen te knipperen strak in mijn gezicht. Binnen een half uur stond hij haarscherp op het papier.. .Terwijl ik dit opschreef was het net alsof hij weer voor me zat.
Source: Jopie de Verteller' (2010) - postumous, p. 58

Cassandra Clare photo
Harriet Tubman photo

“I prayed all night long for my master. Till the first of March; and all the time he was bringing people to look at me, and trying to sell me. I changed my prayer. First of March I began to pray, 'Oh Lord, if you ain't never going to change that man's heart, kill him, Lord, and take him out of the way.”

Harriet Tubman (1820–1913) African-American abolitionist and humanitarian

As quoted in Scenes in the Life of Harriet Tubman (1971), by Sarah Hopkins Bradford, Freeport: Books for Libraries Press, pp. 14-15.

Sarah Dessen photo

“Did you really believe, that first day, that we were meant to be together?" I asked him.
He looked at me and then said, "You're here, aren't you?”

Variant: Remy: Did you really believe, that first day, that we were meant to be together?

Dexter: You're here, aren't you?
Source: This Lullaby

Bill Hicks photo
Wilt Chamberlain photo
Jorge Luis Borges photo

“I suppose he had the good luck to be executed, no? I had an hour's chat with him in Buenos Aires. He struck me as a kind of play actor, no? Living up to a certain role. I mean, being a professional Andalusian… But in the case of Lorca, it was very strange because I lived in Andalusia and the Andalusians aren't a bit like that. His were stage Andalusians. Maybe he thought that in Buenos Aires he had to live up to that character, but in Andalusia, people are not like that. In fact, if you are in Andalusia, if you are talking to a man of letters and you speak to him about bullfights, he'll say, 'Oh well, that sort of this pleases people, I suppose, but really the torero works in no danger whatsoever. Because they are bored by these things, because every writer is bored by the local color in his own country. Well, when I met Lorca, he was being a professional Andalusian… Besides, Lorca wanted to astonish us. He said to me that he was very troubled about a very important figure in the contemporary world. A character in whom he could see all the tragedy of American life. And then he went on in this way until I asked him who was this character and it turned out this character was Mickey Mouse. I suppose he was trying to be clever. And I thought, 'That's the kind of thing you say when you are very, very young and you want to astonish somebody.' But after all, he was a grown man, he had no need, he could have talked in a different way. But when he started in about Mickey Mouse being a symbol of America, there was a friend of mine there and he looked at me and I looked at him and we both walked away because we were too old for that kind of game, no? Even at that time.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

Richard Burgin, Conversation with Jorge Luis Borges, pages 92-93.
Conversations with Jorge Luis Borges (1968)

Kelley Armstrong photo

Related topics