Introduction : The absurdity of the Absurd
The Theatre of the Absurd (1961)
Context: The Theatre of the Absurd strives to express its sense of the senselessness of the human condition and the inadequacy of the rational approach by the open abandonment of rational devices and discursive thought. While Sartre or Camus express the new content in the old convention, the Theatre of the Absurd goes a step further in trying to achieve a unity between its basic assumptions and the form in which these are expressed. In some senses, the theatre of Sartre and Camus is less adequate as an expression of the philosophy of Sartre and Camus — in artistic, as distinct from philosophic, terms — than the Theatre of the Absurd.
“The eighteenth century is full of contradictions. It is not only that its philosophical attitude wavers between rationalism and anti-rationalism, but its artistic aims are also dominated by two 122 opposite tendencies and at some times approach a strictly classicistic, at others a more unrestrained pictorial conception. And like the rationalism of the period, its classicism is also difficult to define and open to various sociological interpretations, since it is sustained alternately by courtly-aristocratic and middle-class strata of society and ends by developing into the representative artistic style of the revolutionary bourgeoisie.”
Source: The Social History of Art, Volume III. Rococo, Classicism and Romanticism, 1999, Chapter 5. Revolution and Art
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Arnold Hauser 34
Hungarian art historian 1892–1978Related quotes

Source: Sociology of Religion (1922), p. 217
Introduction
The Complexity of Cooperation (1997)

“"Rationalism" is a historical concept that contains within itself a world of contradictions.”
Source: The Protestant Ethic and the Spirit of Capitalism (1905; 1920), Ch. 2 : The "Spirit" of Capitalism

1970s-1980s, "Rationality of Self and Others in an Economic System", 1986
Robert L. Flood (1990) Liberating Systems Theory p. 204; as cited in: Trudi Cooper (2003) Critical Management, Critical Systems Theory And System Dynamics http://www.mngt.waikato.ac.nz/ejrot/cmsconference/2003/proceedings/orsystems/Cooper.pdf.

Bartlett's Familiar Quotations, 10th ed. (1919), Journal
Context: The efficacy of religion lies precisely in what is not rational, philosophic or eternal; its efficacy lies in the unforeseen, the miraculous, the extraordinary. Thus religion attracts more devotion according as it demands more faith,—that is to say, as it becomes more incredible to the profane mind. The philosopher aspires to explain away all mysteries, to dissolve them into light. Mystery on the other hand is demanded and pursued by the religious instinct; mystery constitutes the essence of worship, the power of proselytism. When the "cross" became the "foolishness" of the cross, it took possession of the masses.