“So often, below the word spoken, is the thing known and unspoken. My characters tell me so much and no more, with reference to their experience, their aspirations, their motives, their history. Between my lack of biographical data about them and the ambiguity of what they say lies a territory which is not only worthy of exploration but which it is compulsory to explore.”

— Harold Pinter

13
Writing for the Theatre (1962)

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Do you have more details about the quote "So often, below the word spoken, is the thing known and unspoken. My characters tell me so much and no more, with refer…" by Harold Pinter?

Harold Pinter 25

playwright from England 1930–2008

Chris Argyris (1923–2013) American business theorist/Professor Emeritus/Harvard Business School/Thought Leader at Monitor Group

Source: On organizational learning (1999), p. 236; as cited in: Edward D. Garten, ‎Delmus E. Williams (2008) Advances in Library Administration and Organization. p. 51

“History is so important. It explores and tells us who we are. We should be doing more of it as a country, not less.”

Kate Williams (historian) (1974) British historian

https://www.theguardian.com/education/2021/may/01/studying-history-should-not-be-only-for-the-elite-say-academics
Studying history should not be only for the elite, say academics
Anna
Fazackerley
The Guardian
1 May 2021
2 May 2021

“People often complain that music is too ambiguous, that what they should think when they hear it is so unclear, whereas everyone understands words. With me, it is exactly the opposite, and not only with regard to an entire speech but also with individual words. These, too, seem to me so ambiguous, so vague, so easily misunderstood in comparison to genuine music, which fills the soul with a thousand things better than words. The thoughts which are expressed to me by music that I love are not too indefinite to be put into words, but on the contrary, too definite.”

Felix Mendelssohn (1809–1847) German composer, pianist and conductor

Die Leute beklagen sich gewöhnlich, die Musik sei so vieldeutig; es sei so zweifelhaft, was sie sich dabei zu denken hätten, und die Worte verstände doch ein Jeder. Mir geht es aber gerade umgekehrt. Und nicht blos mit ganzen Reden, auch mit einzelnen Worten, auch die scheinen mir so vieldeutig, so unbestimmt, so mißverständlich im Vergleich zu einer rechten Musik, die einem die Seele erfüllt mit tausend besseren Dingen als Worten. Das, was mir eine Musik ausspricht, die ich liebe, sind mir nicht zu unbestimmte Gedanken, um sie in Worte zu fassen, sondern zu bestimmte.
Letter to Marc-André Souchay, October 15, 1842, cited from Briefe aus den Jahren 1830 bis 1847 (Leipzig: Hermann Mendelssohn, 1878) p. 221; translation from Felix Mendelssohn (ed. Gisella Selden-Goth) Letters (New York: Pantheon, 1945) pp. 313-14.

“Perhaps you and I were born too late to explore the world and too early in history to explore the stars, but we were born at just the right time, which is pretty much all times ever, to explore language. to explore what can be said. What should be said. What should we send out to space. what that can be said will you be the first to say?”

Michael Stevens (educator) (1986) Internet personality

"Messages for the Future", Vsauce (23 September, 2015)

“… the so-called co-efficient of heritability, which I regard as one of those unfortunate short-cuts, which have often emerged in biometry for lack of a more thorough analysis of the data.”

Ronald Fisher (1890–1962) English statistician, evolutionary biologist, geneticist, and eugenicist

British Agricultural Bulletin 4, 217–218, 1951.
1950s

“Known, culture, order, explored territory, or the dominance hierarchy, are all interchangeable from a representational perspective.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Other

“You almost create this infinite universe for the character that you’re playing and then you’re compromising it into the story that you’re doing. Whatever character you’re playing, you kind of explore endlessly more than what’s on the page. You use that exploration to do the performance that’s in the film, but hopefully, people will see all that work and preparation in those little glimpses of scenes and moments. Oh, there’s something there. There’s so much more happening with this character.”

Bill Skarsgård (1990) Swedish actor

Bill Skarsgard on ‘IT’ and Tapping into His Fears to Create a Terrifying New Pennywise http://collider.com/bill-skarsgard-pennywise-it-movie-interview/#images (July 28, 2017)

“I like looking at the characters. Seeing them always brings up some voice or attitude. I am much more visual and that works so much better than having someone tell me what the character is all about”

Frank Welker (1946) American actor

Frank Welker Q&A http://www.ign.com/articles/2009/09/16/frank-welker-qa (September 15, 2009)

“Some poets are more deeply involved than others in the raw experience which lies behind the poem and for them the act of composition is an act of self exploration with the definite goal of enlightenment rather than the ideally depersonalized construction of a beautiful and autonomous object.”

Vernon Scannell (1922–2007) British boxer and poet

Not Without Glory, 1976

“Through instrumental music, I’m allowed to come up with musical ideas that allow the listener to create their own impression of my song. If you add lyrics about a girl in the song, the listener doesn’t have a choice of what the song is about, it’s told to them. My musical writings allow me to express anything. It’s easier for me to tell a story of something I’ve encountered this way then to verbalize it. And my feelings are explored more in my compositions compared to what I could ever say in a few sentences.”

Bradley Joseph (1965) Composer, pianist, keyboardist, arranger, producer, recording artist

[Janus, Cicily, Radinsky, Ned, http://newfaceofjazz.com/?page_id=594, New Faces of Jazz: Bradley Joseph, (newfaceofjazz.com), 2010-08-01]

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Harold Pinter 25

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