“On reflection, moral judgment in the arts appears rather as a tribute to their power to influence emotion and possibly conduct. And reflecting further on what some critics do today, one sees that a good many have merely shifted the ground of their moralism, transferring their impulse of righteousness to politics and social issues.”

—  Jacques Barzun

"What Critics Are Good For" (1988), p. 69
The Culture We Deserve (1989)

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "On reflection, moral judgment in the arts appears rather as a tribute to their power to influence emotion and possibly …" by Jacques Barzun?
Jacques Barzun photo
Jacques Barzun46
Historian 1907–2012

Related quotes

“Real morality is possible when the sanctions for morality are also tangible and real. Therefore, atheism shifts the basis of morality from faith in god to obligations of social living. Moral conduct is not a passport to heaven; it is social necessity.”

Goparaju Ramachandra Rao (1902–1975) Indian activist

Atheism: Questions and Answers

Gulzarilal Nanda photo

“The nation is in the grip of a crisis. It is in essence a crisis of character. The obstructions and failures in other fields – economic, social and political – are just a reflection of our decline in the moral scale.”

Gulzarilal Nanda (1898–1998) Prime Minister of India

MSN News in: Past Prime Ministers: Those who came before Gulzarilal Nanda http://news.in.msn.com/elections-2014/past-prime-ministers-those-who-came-before?page=2, MSN News, 26 May 2014.

Amartya Sen photo

“The global reach of Smith's moral and political reasoning is quite a distinctive feature of his thought, but it is strongly supplemented by his belief that all human beings are born with similar potential and, most importantly for policymaking, that the inequalities in the world reflect socially generated, rather than natural, disparities.
There is a vision here that has a remarkably current ring. The continuing global relevance of Smith's ideas is quite astonishing, and it is a tribute to the power of his mind that this global vision is so forcefully presented by someone who, a quarter of a millennium ago, lived most of his life in considerable seclusion in a tiny coastal Scottish town. Smith's analyses and explorations are of critical importance for any society in the world in which issues of morals, politics and economics receive attention. The Theory of Moral Sentiments is a global manifesto of profound significance to the interdependent world in which we live.”

Amartya Sen (1933) Indian economist

Amartya Sen, &quot; The economist manifesto http://www.newstatesman.com/ideas/2010/04/smith-market-essay-sentiments&quot;, New Statesman (23 April 2010) <br class="br">2010s

“Up until our own times men had only received two sorts of teaching in what concerns the relations between politics and morality. One was Plato’s and it said: “Morality decides politics”; and the other was Machiavelli’s, and it said “Politics have nothing to do with morality.” Today we receive a third. M. Maurras teaches: “Politics decide morality.””

Julien Benda (1867–1956) French essayist

Source: Treason of the Intellectuals (1927), p. 110

Nayef Al-Rodhan photo

“In my view, most human beings are innately neither moral nor immoral but rather amoral. They are driven by emotional self-interest and have the potential to be either moral or immoral, depending on what their self-interest dictates, and will be influenced in their choices by emotions and socio-cultural contexts. Circumstances will determine the survival value of humankind’s moral compass in that being highly moral in an immoral environment may be detrimental to one’s survival and vice versa. Indeed, our neuronal architecture is pre-programmed to seek gratification and feel good regardless of the reason. All apparently altruistic behaviour serves self-interest at some level.”

Nayef Al-Rodhan (1959) philosopher, neuroscientist, geostrategist, and author

Source: Emotional amoral egoism (2008), p.16

Walter Rauschenbusch photo

“It is important to note, further, that the morality which the prophets had in mind in their strenuous insistence on righteousness was not merely the private morality of the home, but the public morality on which national life is founded. They said less about the pure heart for the individual than of just institutions for the nation.”

Walter Rauschenbusch (1861–1918) United States Baptist theologian

Source: Christianity and the Social Crisis (1907), Ch.1 The Historical Roots of Christianity the Hebrew Prophets, p. 8

Eudora Welty photo

“The story and its analyses are not mirror-opposites of each other. They are not reflections, either one. Criticism indeed is an art, as a story is, but only the story is to some degree a vision; there is no explanation outside fiction for what the writer is learning to do.”

Eudora Welty (1909–2001) American author

On Writing (2002)

“I want to say something about Picasso as a revolutionary. A revolution in the history of art is a reflection of the history of society. Art cannot revolutionize society. It is a reflection of that revolution.. You [= Joseph Beuys ] talking in the same interview] have revolutionized art. But I do not see that you have revolutionized society directly. You have depicted what has not yet existed.... art and life are not two separate realms, but they have shifted out of phase with each other.”

Anselm Kiefer (1945) German painter and sculptor

(1986) n.p.
Structures are no longer valid', in "Ein Gespräch..."

Kenneth Minogue photo

“The evident problem with democracy today is that the state is pre-empting – or 'crowding out', as the economists say – our moral judgments. Rulers are adding moral judgments to the expanding schedule of powers they exercise. Nor does the state deal merely with principles. It is actually telling its subjects to do very specific things. Yet decisions about how we live are what we mean by 'freedom,' and freedom is incompatible with a moralizing state. That is why I am provoked to ask the question: can the moral life survive democracy?”

Kenneth Minogue (1930–2013) Australian political theorist

Introduction p. 3-4
The Servile Mind: How Democracy Erodes the Moral Life

William Saroyan photo

“Art and politics must move closer together. Reflection and action must be equally valid in good men if history is not to take one course and art an other.”

William Saroyan (1908–1981) American writer

Something About a Soldier (1940)

Related topics