
Charles Dupin (1826), Geometrie et Mechanique des Arts et Metiers et des Beaux Arts Paris: Bachelier; Cited and translated by John Hoaglund, "Management Before Frederick Taylor," p. 30.; and cited in Wren & Bedeian (2005, 74)
"Shrine or Factory?" (1918); translation from Mikhail Anikst et al. (eds.) Soviet Commercial Design of the Twenties (New York: Abbeville Press, 1987) p. 15
Charles Dupin (1826), Geometrie et Mechanique des Arts et Metiers et des Beaux Arts Paris: Bachelier; Cited and translated by John Hoaglund, "Management Before Frederick Taylor," p. 30.; and cited in Wren & Bedeian (2005, 74)
“You know, the average Chinese factory worker must think Americans are insane.”
Source: Daemon (2006), Chapter 45: Respawning, Character: Laney Price
Context: You know, the average Chinese factory worker must think Americans are insane. Picture this: you work at a plant that makes Halloween stuff—you know, like, rubber severed heads. And you're all like: Americans decorate their homes with severed heads? These fuckers are savages, man.
Source: Rodin : the man and his art, with leaves from his notebook, 1917, p. 105
Source: 1956 - 1967, Art-as-Art Dogma' part II, (1964), p. 155
Some Versions of Pastoral (London: Chatto & Windus, 1935) p. 15.
Other
On a Phil Donahue Show in 1984, as quoted in The Sword of the Lord (14 December 1984)
“If art finds the temple closed, then it flees into the workshop.”
Wenn der Kunst kein Tempel mehr offen steht, dann flüchtet sie in die Werkstatt.
Source: Aphorisms (1880/1893), p. 24.
“Speech is human, silence is divine, yet also brutish and dead: therefore we must learn both arts.”
Notebooks (1830).
1830s