“At last, small witches, goblins, hags,
And pirates armed with paper bags,
Their costumes hinged on safety pins,
Go haunt a night of pumpkin grins.”

Smashing Pumpkins (1996)

Source: The Pill vs. the Springhill Mine Disaster

Source: Love Medicine

"Beowulf: The Monsters and the Critics" (1936), p. 14
Context: The significance of a myth is not easily to be pinned on paper by analytical reasoning. It is at its best when it is presented by a poet who feels rather than makes explicit what his theme portends; who presents it incarnate in the world of history and geography, as our poet has done. Its defender is thus at a disadvantage: unless he is careful, and speaks in parables, he will kill what he is studying by vivisection, and he will be left with a formal or mechanical allegory, and what is more, probably with one that will not work. For myth is alive at once and in all its parts, and dies before it can be dissected.

letter to his friend Don Martín Zapater https://www.wikidata.org/wiki/Q3915977 and https://nl.wikipedia.org/wiki/Bestand:Francisco_de_Goya_-_Portrait_of_Mart%C3%ADn_Zapater_-_Google_Art_Project.jpg, Feb. 1784; as quoted in Goya, A life in Letters, edited and introduced by Sarah Simmons; translations by Philip Troutman, London, Pimlico, 2004
The reference to the occult and the world of demons, which then will populate the art of Goya during the 1800's, takes form in a couple of occasions Goya wrote to his friend Martín that he is a painter-demon. http://letteraturaartistica.blogspot.nl/2015/09/goya-life-in-letters-edited-and.html
1780s

The Reefs of Earth (1968)

Tales of Mother Goose, 1727, "Cinderella, or the Little Glass Slipper"

Know Thyself (1881)
Context: Clever though be the many thoughts expressed by mouth or pen about the invention of money and its enormous value as a civiliser, against such praises should be set the curse to which it has always been doomed in song and legend. If gold here figures as the demon strangling manhood's innocence, our greatest poet shews at last the goblin's game of paper money. The Nibelung's fateful ring become a pocket-book, might well complete the eerie picture of the spectral world-controller. By the advocates of our Progressive Civilisation this rulership is indeed regarded as a spiritual, nay, a moral power; for vanished Faith is now replaced by "Credit," that fiction of our mutual honesty kept upright by the most elaborate safeguards against loss and trickery. What comes to pass beneath the benedictions of this Credit we now are witnessing, and seem inclined to lay all blame upon the Jews. They certainly are virtuosi in an art which we but bungle: only, the coinage of money out of nil was invented by our Civilisation itself; or if the Jews are blamable for that, it is because our entire civilisation is a barbaro-judaic medley, in nowise a Christian creation.

Skyline: A Reporter's Reminiscence of the 1920s (1961); as cited by Jonathon Green (1988) Says who?: a guide to the quotations of the century. p. 308