“A tidal wave of trucks and carts moved slowly, inexorably toward the now open gate, bumping and clanging into each other as they squeezed through. The investigator jumped out of the way, and as he stood there observing the passage of this hideous insect, with its countless twisting, shifting sections, he experienced a strange and powerful rage. The birth of that rage was followed by spasms down and around his anus, where irritated blood vessels began to leap painfully, and he knew he was in for a hemorrhoid attack. This time the investigation would go forward, hemorrhoids or no, just like the old days. That thought took the edge off his rage, lessened it considerably, in fact. There's no avoiding the inevitable. Not mass confusion, not hemorrhoids. Only the sacred key to a riddle is eternal. But what was it this time?”
Source: The Republic of Wine (1992), Chapter I, Section 1
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Mo Yan 19
Chinese novelist 1955Related quotes

Source: The Roving Mind (1983), Ch. 25
Context: How often people speak of art and science as though they were two entirely different things, with no interconnection. An artist is emotional, they think, and uses only his intuition; he sees all at once and has no need of reason. A scientist is cold, they think, and uses only his reason; he argues carefully step by step, and needs no imagination. That is all wrong. The true artist is quite rational as well as imaginative and knows what he is doing; if he does not, his art suffers. The true scientist is quite imaginative as well as rational, and sometimes leaps to solutions where reason can follow only slowly; if he does not, his science suffers.

Source: Earthsea Books, The Farthest Shore (1972), Chapter 6, "Lorbanery"
As quoted in "'I'm not going there': As Trump hurls racial invective, most Republicans stay silent" https://www.washingtonpost.com/politics/im-not-going-there-as-trump-hurls-racial-invective-most-republicans-stay-silent/2018/08/18/aab7fd8a-a189-11e8-83d2-70203b8d7b44_story.html?noredirect=on&utm_term=.492b99efbac1 (18 August 2018), by Ashley Parker and Robert Costa, The Washington Post
2010s, 2018