“And then there is all this highly improper manipulation of time, these indecent dealings, sneaking into its mechanism at the back and tampering dangerously with its precarious secrets. Sometimes, one wants to bang on the table and shout at the top of one’s voice, “Enough of this! Keep your hands off time! Time is untouchable! It is not permissible to aggravate time! Space is for man. In space you may go where you please; you may turn somersaults, fall head over heels, leap from star to star… But for the love of God, leave time alone!””

— Bruno Schulz

“The Sanatorium at the Sign of the Hourglass” http://www.schulzian.net/translation/sanatorium/sanatorium1.htm
His father, Time

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Bruno Schulz 34

Polish novelist and painter 1892–1942

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“He existed in all the many dimensions of the multiverse. Yet he, in common with all others, was bound by the dimension of Time. He had cast off the chains of space but was tied, as perhaps all denizens of the multiverse would always be, by the imperturbable prowl of Time, which brooked no halt, which condoned no tampering with its movement, whether to slow it or to speed it.
Time, the changer, could not be changed. Space, perhaps, the material environment, could be conquered. Time, never.”

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Context: Artists shouldn't be made famous. You know… they're just … as important as… um doctors, and priests … or maybe not as important sometimes, and yet they have this huge aura of almost god-like quality about them, just because their craft makes a lot of money. And at the same time it is a forced importance — you know, football stars and theatre stars — It is man-made so the press can feed off it.

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Arthur Miller The Crucible

John Proctor
Source: The Crucible (1953)

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Bruno Schulz 34

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