“I have started a large landscape which is beginning to take shape.”

— Frédéric Bazille

Quote in Bazille's letter to his father, June 1870; as cited in Impressionnism, Gary Tinterow, Henri Loyrette; Metropolitan Museum of Art, 1994, p. 338
1866 - 1870

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Frédéric Bazille 14

French painter 1841–1870

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“I have almost finished a large landscape”

Frédéric Bazille (1841–1870) French painter

painting ' Landscape by the Lez River
[around Montpellier https://commons.wikimedia.org/wiki/File:Frederic_Bazille_Paysage_au_bord_du_Lez.jpg.. ..I am completely alone on the country; my cousins and my brother are at the resort. My father and mother are living in town; this solitude pleases me enormously; it makes me work a lot and read a lot.
In a letter to fr:Edmond Maitre, 2 August 1870; as quoted in Impressionnism, Gary Tinterow, Henri Loyrette; Metropolitan Museum of Art, 1994, p. 338
this work is Bazille's last painting and largest known landscape; he started it c. June 1870 and finished it 2 August, just before he left 16 August 1870, to join the third regiment of Zouaves; he died soon
1866 - 1870

“take a writer away from his typewriter
and all you have left
is
the sickness
which started him
typing
in the
beginning”

Charles Bukowski (1920–1994) American writer

“What does really happen when the factor of love withdraws from a human relationship? Is it a loss or a gain? Is the real landscape revealed at last, hitherto transfigured, but delusive, too, by the driving mist of fantasy? Is it a perverted vision which finds a glowing cloud more beautiful than the solid truth of a plot of earth? And vice versa, what really happens when the radiance, the glamour, begins to take shape, concentrating on a landscape or on a face?”

Ida Friederike Görres (1901–1971) Austrian writer and noble

Broken Lights Diaries 1957-59.

“There is an intimate relationship between my pictorial [2-dimensional] and my sculptural work. I would never begin on a sculpture without first gaining an idea of the colour... My mind is captivated by this task until I start to put down the colour on paper and imagine that this colour will become a drawing. And then, suddenly, the drawing begins to acquire shape, the shape, and this shape becomes the real shape.”

Marino Marini (1901–1980) Italian sculptor

as quoted in the exhibition text of 'Marino Marini, Painter, Draughtsman, Sculptor', Museum de Fundatie, September 2013 to 16 March 2014

“I think, for me, nature has always been my main point of reference. I think as a child I was fascinated by landscapes and nature wherever I went. I was able to travel all over Denmark, which is not that large, everywhere in this country where I've been I always loved the landscape.”

Margrethe II of Denmark (1940) Queen of Denmark

Interview with Reuters, quoted on ITN. http://www.itnsource.com/shotlist/RTV/2012/01/26/RTV249512/ (26 January 2012).
As an Artist

“I started doing paintings of landscapes in private and wanted to show people what I could do, and to really do that, I needed to do portraits, so I started practising.”

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[Lee Rondganger, Artist with unusual technique a Sexpo hit, The Star, South Africa, 28 September 2007, 2, Independent Online]

“A poet's work… to name the unnamable, to point at frauds, to take sides, start arguments, shape the world and stop it from going to sleep.”

Salman Rushdie (1947) British Indian novelist and essayist

“Christianity is a universalist and monotheist religion of salvation. Its long consolidation and explosive spread, achieved through a long period of discussion and zealous ferment, released vast human forces which have largely shaped the western world as we know it. An evolutionary and humanist religion of fulfilment could be more truly universal and could release even vaster human forces, which could in large measure shape the development of the entire world…”

Julian Huxley (1887–1975) English biologist, philosopher, author

The New Divinity (1964)

“Beforehand I don't make any drawing of the object or objects which I want to paint on the canvas or panel.... but I start directly to situate the designed plan on the canvas - After having thoroughly sketched and thought over my composition, especially the arrangement of light and dark, I start to paint it broadly with oil-paint and try as much as possible to achieve the hue or the colouring, in which I want to see my landscape.... when it is definitely completed.”

Barend Cornelis Koekkoek (1803–1862) painter from the Northern Netherlands

(original Dutch, citaat van B.C. Koekkoek:) Ik maak vooraf geene tekeningen van het voorwerp of de voorwerpen, die ik op het doek of paneel wil schilderen.. ..maar begin dadelijk het ontworpen plan op het doek te plaatsen – Na mijne compositie eerst behoorlijk geschetst en beredeneerd te hebben, voornamelijk de schikking van licht en donker, begin ik dezelve met olieverw breed te schilderen, zoveel trachtende de tint of het coloriet er in te brengen, in welke ik mijn landschap.. ..wil gezien hebben.. ..als het geheel afgeschilderd is.
Source: Herinneringen aan en Mededeelingen van…' (1841), p. 98-99

“The kingdom is not an amorphous jumble of regions, but a closely organized state in which the character of one region is close to that of its neighbor. There are few sharp boundaries. Rather, the landscape is largely characterized by transitions …”

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“I have started a large landscape which is beginning to take shape.”

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Frédéric Bazille 14

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