“I have sought a unified world in my work and use a movable vortex to achieve it.”

1970's
Source: Movements in art since 1945, Edward Lucie-Smith, Thames and Hudson 1975, p. 153

2020, November 2020, Victory speech as US President-elect

As quoted in "Master of the Secret World: John le Carré on Deception, Storytelling and American Hubris" by Andrew Ross, in Salon (21 October 1996); also in Conversations with John le Carré (2004) edited by Matthew Joseph Bruccoli and Judith Baughman, p. 141
Context: I use the furniture of espionage to amuse the reader, to make the reader listen to me, because most people like to read about intrigue and spies. I hope to provide a metaphor for the average reader's daily life. Most of us live in a slightly conspiratorial relationship with our employer and perhaps with our marriage. I think what gives my works whatever universality they have is that they use the metaphysical secret world to describe some realities of the overt world.

Source: The Birth of Tragedy (1872), p. 73
Context: We cannot help but see Socrates as the turning-point, the vortex of world history. For if we imagine that the whole incalculable store of energy used in that global tendency had been used not in the service of knowledge but in ways applied to the practical — selfish — goals of individuals and nations, universal wars of destruction and constant migrations of peoples would have enfeebled man's instinctive zest for life to the point where, suicide having become universal, the individual would perhaps feel a vestigial duty as a son to strangle his parents, or as a friend his friend, as the Fiji islanders do: a practical pessimism that could even produce a terrible ethic of genocide through pity, and which is, and always has been, present everywhere in the world where art has not in some form, particularly as religion and science, appeared as a remedy and means of prevention for this breath of pestilence.

The joke about immortality also appears in On Being Funny (1975)
In an interview in Rolling Stone magazine from April 9, 1987, Allen said "Someone once asked me if my dream was to live on in the hearts of people, and I said I would prefer to live on in my apartment."
Source: The Illustrated Woody Allen Reader (1993)

The Deception: Schopenhauer's Crux (p. 44)
Straw Dogs: Thoughts on Humans and Other Animals (2002)

Richard Long (1982), cited in: Description of the exhibition Concentrations IX: Richard Long, March 31–July 8, 1984 at the Dallas Museum of Art http://texashistory.unt.edu/ark:/67531/metapth224905/m1/1/. <br class="br">1980s

from Crikey! What an Adventure on Animal Planet, 2007nb