“Maybe Delacroix stands for Romanticism. He stuffed himself with too much Shakespeare and Dante, thumbed through too much Faust. His palette is still the most beautiful in France, and I tell you no one under the sky had more charm and pathos combined than he, or more vibration of colour. We all paint in his language, as you all write in Hugo's.”

— Paul Cézanne

Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 197 in: 'What he told me – II. The Louvre'

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Paul Cézanne 62

French painter 1839–1906

Stephie Pahlavi Zan

“He (Delacroix) turns David [French painter] upside down. His painting is iridescent. Seeing one Constable [famous English landscape painter, admired by French painters, then] is enough to make him understand all the possibilities of landscape, and he too sets up his easel by the sea... And he has a sense of human being, of life in movement, of warmth. Everything moves, every glistens. The light!... There is more warm light in this interior [probably: Delacroix's 'Woman of Algiers'] of his than in all of Corot's landscapes..”

Paul Cézanne (1839–1906) French painter

Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 196 in: 'What he told me – II. The Louvre'

“I love you much
most beautiful darling
more than anyone on the earth
and I like you better
than everything in the sky.”

E.E. Cummings (1894–1962) American poet

“What are you doing here?”
All right, he was standing in front of an easel, holding a paint palette and brush. “Taxidermy?” he responded with just a touch of his own sarcasm.”

Robyn Carr American writer

Source: Wild Man Creek

“The little boy I watched throwing pebbles into the empty fountain […] You could tell that he had too much wisdom for his age. Probably he believed that he wasn't made for this world. I wanted to say to him: If not you, who?”

Nicole Krauss The History of Love

Source: The History of Love (2005), P. 351

“Balla [his former art teacher in Italy] flabbergasted us because, not content with being involved in a Futurist campaign, as you can well imagine him doing, he launched himself into a complete transformation. He rejected all his works and all his working methods. He started work on four pictures of movement (one painting was his 'Girl running on a balcony'), which were still realist but incredible ahead of their time.... He confided this to w:Aldo Pallazzeschi: 'They (Balla's former - so much younger pupils Boccioni and Severini] did not want anything to do with me in Paris and they were right: they have gone much further than I, but I will work and I too will progress.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

In a letter to Gino Severini, Jan. 1913; as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008
Boccioni is referring in this quote to their common former teacher Balla who lived and worked that time in Paris
1913

“I hope that Cezanne will still be here and that he will join us, but he is so shy, so afraid of meeting new people, that I am afraid that he might let us down, even though he wants very much to meet you. How sad it is that this man hasn't had more patronage in his life! This is a true artist who has come to doubt himself far too much. He needs to be cheered up, so e was quote touched by your article.”

Claude Monet (1840–1926) French impressionist painter

Quote in a letter from Giverny to Gustave Geffroy, 23 November 1894; as cited in: P. Michael Doran (2001), ‎Art Conversations with Cézanne, p. 3
1890 - 1900

“And Charlie asked questions! His unease had long since disappeared, and two of his most deep-dyed characteristics took over: one, the result of his omnivorous, undisciplined, indefatigable reading and picking of brains; second, the great gaping holes this had left in his considerable body of knowledge. Both appeared far more drastic than he had heretofore known; he knew ever so much more than he knew he knew, and he had between five and seven times as much misinformation and ignorance than he had ever dreamed.”

Theodore Sturgeon book Venus Plus X

Section 19 (p. 59)
Venus Plus X (1960)

“We all know that a sky with clouds in it is much more interesting than one that doesn't have any.”

Jodi Picoult book House Rules

Source: House Rules

“The difficulty of writing English is most tiresome to me. My God! If only we could write this beautiful language of France at all times!”

Charles Dickens (1812–1870) English writer and social critic and a Journalist

La difficulté d'écrire l'anglais m'est extrêmement ennuyeuse. Ah, mon Dieu! si l'on pouvait toujours écrire cette belle langue de France!
Letter to John Foster (7 July 1850)

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Paul Cézanne 62

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