
"Never Wanted Your Love" · The Late Show performance http://www.youtube.com/watch?v=CItdLdgnXP0
Volume 3 (2013)
"So You Want To Write A Fugue", work's text
"Never Wanted Your Love" · The Late Show performance http://www.youtube.com/watch?v=CItdLdgnXP0
Volume 3 (2013)
“To love for the sake of being loved is human, but to love for the sake of loving is angelic.”
Graziella (1849), Pt. IV, ch. 5
“Academics get paid for being clever, not for being right.”
27th annual conference of the Travel and Tourism Research Association, June 1996, Las Vegas, p. 143 http://books.google.com/books?id=FUkXAQAAMAAJ&q=%22academics+get+paid+for+being+clever%22.
“To show a longing for anything that one cannot have, for instance, is not a clever position.”
Source: The Signature of All Things
This is an advantage which scientists enjoy over most other people engaged in intellectual pursuits, and they enjoy it at all levels of capability. To be a first-rate scientist it is not necessary (and certainly not sufficient) to be extremely clever, anyhow in a pyrotechnic sense. One of the great social revolutions brought about by scientific research has been the democratization of learning. Anyone who combines strong common sense with an ordinary degree of imaginativeness can become a creative scientist, and a happy one besides, in so far as happiness depends upon being able to develop to the limit of one's abilities.
1960s, Lucky Jim, 1968
Looking for an Honest Man (2009)
Context: Perhaps the most remarkable feature of Aristotle's teaching concerns the goals of ethical conduct. Unlike the moralists, Aristotle does not say that morality is a thing of absolute worth or that the virtuous person acts in order to adhere to a moral rule or universalizable maxim. And unlike the utilitarians, he does not say morality is good because it contributes to civic peace or to private gain and reputation. Instead, Aristotle says over and over again that the ethically excellent human being acts for the sake of the noble, for the sake of the beautiful.
The human being of fine character seeks to display his own fineness in word and in deed, to show the harmony of his soul in action and the rightness of his choice in the doing of graceful and gracious deeds. The beauty of his action has less to do with the cause that his action will serve or the additional benefits that will accrue to himself or another — though there usually will be such benefits. It has, rather, everything to do with showing forth in action the beautiful soul at work, exactly as a fine dancer dances for the sake of dancing finely. As the ballerina both exploits and resists the downward pull of gravity to rise freely and gracefully above it, so the person of ethical virtue exploits and elevates the necessities of our embodied existence to act freely and gracefully above them. Fine conduct is the beautiful and intrinsically fulfilling being-at-work of the harmonious or excellent soul.
“Something bad was about to happen. My wife was being clever again.”
Source: Gone Girl
“The desire to appear clever often prevents one from being so.”
Le désir de paraître habile empêche souvent de le devenir.
Maxim 199.
Reflections; or Sentences and Moral Maxims (1665–1678)