“I don’t need to praise anything so justly famous as Frost’s observation of and empathy with everything in Nature from a hornet to a hillside; and he has observed his own nature, one person’s random or consequential chains of thoughts and feelings and perceptions, quite as well. (And this person, in the poems, is not the “alienated artist” cut off from everybody who isn’t, yum-yum, another alienated artist; he is someone like normal people only more so — a normal person in the less common and more important sense of normal.)”

“The Other Frost”, p. 29
Poetry and the Age (1953)

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poet, critic, novelist, essayist 1914–1965

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“I don’t need to praise anything so justly famous as Frost’s observation of and empathy with everything in Nature from a hornet to a hillside; and he has observed his own nature, one person’s random or consequential chains of thoughts and feelings and perceptions, quite as well.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

And this person, in the poems, is not the “alienated artist” cut off from everybody who isn’t, yum-yum, another alienated artist; he is someone like normal people only more so — a normal person in the less common and more important sense of normal.
“The Other Frost”, p. 29
Poetry and the Age (1953)

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“An artist needs knowledge and the power of observation only so that he can tell from what he is abstaining, and to be sure that his abstention will not appear artificial or false.”

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“The observation of nature is part of an artist's life, it enlarges his form-knowledge, keeps him fresh and from working only by formula, and feeds inspiration”

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