
Source: The Importance of Being Earnest and Other Plays
Donald Judd, William C. Agee (1968) Don Judd, p. 15
1960s
Source: The Importance of Being Earnest and Other Plays
Quote from 'I put me on this train', interview with Art Papier, 1979; as cited in: Joseph Beuys in America: Energy Plan for the Western Man, Carin Kuoni; New York, 1993, p. 44
1970's
Source: "Foundations of the Theory of Signs," 1938, p. 43
"On the Conservation of Force" (1862), p. 280
Popular Lectures on Scientific Subjects (1881)
Context: The external work of man is of the most varied kind as regards the force or ease, the form and rapidity, of the motions used on it, and the kind of work produced. But both the arm of the blacksmith who delivers his powerful blows with the heavy hammer, and that of the violinist who produces the most delicate variations in sound, and the hand of the lacemaker who works with threads so fine that they are on the verge of the invisible, all these acquire the force which moves them in the same manner and by the same organs, namely, the muscles of the arm. An arm the muscles of which are lamed is incapable of doing any work; the moving force of the muscle must be at work in it, and these must obey the nerves, which bring to them orders from the brain. That member is then capable of the greatest variety of motions; it can compel the most varied instruments to execute the most diverse tasks.
Source: Measurement of the human factor in industry (1917), p. 3.
Source: Raising Hope’s Martha Plimpton (Interview, Daily Actor, April 19, 2011) http://www.dailyactor.com/2011/04/interview-martha-plimpton-raising-hope/
Source: The Hidden Goddess (2011), Chapter 8, “Chaos and Disorder” (p. 133)
The Discover Interview: Lisa Randall (July 2006)