Florence King (1936–2016) American writer
"Déjà Views", in Reflections in a Jaundiced Eye (1989), p. 112
Florence King (1936–2016) American writer
"Déjà Views", in Reflections in a Jaundiced Eye (1989), p. 112
“In our brave new world, blushing is a form of nostalgia.”
John Leonard (1939–2008) American critic, writer, and commentator
"On Being Embarrassed" (p. 139)
Private Lives in the Imperial City (1979)
Carson McCullers book The Heart Is a Lonely Hunter
Variant: The emotion is Janus-faced: we are torn between a nostalgia for the familiar and an urge for the foreign and strange. As often as not, we are homesick most for the places we have never known.
Source: The Heart is a Lonely Hunter
“Nostalgia is a form of depression both for a society and an individual.”
Abbie Hoffman (1936–1989) American political and social activist
Bye-Bye Sixties, Hollywood-Style, Square Dancing in the Ice Age (1982).
Mignon McLaughlin (1913–1983) American journalist
The Complete Neurotic's Notebook (1981), Unclassified
Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …
Brand, Stewart. "McLuhan's last words". New Scientist, 29 Jan 1981.
1980s
“Nostalgia: How long's that been around?”
Bill Bailey (1965) English comedian, musician, actor, TV and radio presenter and author
Is It Bill Bailey? (TV, 1998)
“Nostalgia, as always, had wiped away bad memories and magnified the good ones.”
Gabriel García Márquez book Living to Tell the Tale
Living to Tell the Tale (2002)
Daniel Abraham (1969) speculative fiction writer from the United States
Context: I don't find fantasy to be more or less suited to philosophical questions than any other genre, really. I think that the soul of fantasy—or second-world fantasy at least—is our problematic relationship with nostalgia. The impulse to return to a golden age seems to be pretty close to the bone, at least in western cultures, and I wouldn't be at all surprised if it's a human universal. For me, it's tied up with the experience of aging and the impulse to recapture youth. Epic fantasy, I think, takes its power from that. We create golden eras and either celebrate them or—more often—mourn their loss.<br><br>Interview with Peter Orullian http://orullian.com/writing/danielabraham_interview.html