“I think 2-D animation disappeared from Disney because they made so many uninteresting films. They became very conservative in the way they created them. It's too bad. I thought 2-D and 3-D could coexist happily.”

— Hayao Miyazaki

Last update June 3, 2021. History

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Hayao Miyazaki 34

Japanese animator, film director, and mangaka 1941

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“I've been thinking of combustication as a welcome vacation from the burdens of planet Earth - like gravity, hypocrisy, the perils of being in 3-D, and thinking so much differently.”

Brandon Boyd (1976) American rock singer, writer and visual artist

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“Showing characters is where 3-D animation comes up short. It's hard to create lifelike figures that move in a realistic, believable manner-unless you're going to go into "dummy dolls."”

Rick Dyer (video game designer) American video game designer and writer

But when you take 3-D animation and put it into a first-person perspective and create a fly-through environment-well, that is where it shines. So what we're doing is using both mediums for their respective strengths.
Technician of Suspended Disbelief: Rick Dyer, Shadoan and the Frontier of Animated CD Entertainment https://www.awn.com/mag/issue1.1/articles/dyer.html (1996)

“A new point is determined in Euclidean Geometry exclusively in one of the three following ways:
Having given four points A, B, C, D, not all incident on the same straight line, then
(1) Whenever a point P exists which is incident both on (A, B) and on (C, D), that point is regarded as determinate.
(2) Whenever a point P exists which is incident both on the straight line (A, B) and on the circle C(D), that point is regarded as determinate.
(3) Whenever a point P exists which is incident on both the circles A(B), C(D), that point is regarded as determinate.
The cardinal points of any figure determined by a Euclidean construction are always found by means of a finite number of successive applications of some or all of these rules (1), (2) and (3). Whenever one of these rules is applied it must be shown that it does not fail to determine the point. Euclid's own treatment is sometimes defective as regards this requisite.
In order to make the practical constructions which correspond to these three Euclidean modes of determination, correponding to (1) the ruler is required, corresponding to (2) both ruler and compass, and corresponding to (3) the compass only.
…it is possible to develop Euclidean Geometry with a more restricted set of postulations. For example it can be shewn that all Euclidean constructions can be carried out by means of (3) alone…”

E. W. Hobson (1856–1933) British mathematician

Source: Squaring the Circle (1913), pp. 7-8

“I pressed play then came a long way from the Mac Book / I heard Raginder on “A. D. H. D.” then scribbled him down in my black book / Thinking one day he’d collaborate with a no name, named Marcus O / with one goal, sign Violinder so then he’ll call my imprint home.”

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“I became a vegetarian because I felt really bad for the animals and I love them a lot. Animals are very sweet, and I don't think that they deserve to be tortured.”

Mckenna Grace (2006) American child actress

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“There are some CNR clones. Prof D D Sharma in chemistry, Prof Ajay Sood in Physics are doing good work. Let’s see many more may come from the younger lot.”

C. N. R. Rao (1934) Indian chemist

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“The other day I was playing Scrabble. I saw that I could close the space in D-E- -Y. I had an N and an F. Which do you think I chose? What was the word I made?”

Amy Hempel (1951) Short story writer

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“Who thought he 'd won
The field as certain as a gun.”

Samuel Butler (poet) (1612–1680) poet and satirist

Canto III, line 11
Source: Hudibras, Part I (1663–1664)

“Suppose we a certain Number of things exposed, different each from other, as a, b, c, d, e, &c.; The question is, how many ways the order of these may be varied? as, for instance, how many changes may be Rung upon a certain Number of Bells; or, how many ways (by way of Anagram) a certain Number of (different) Letters may be differently ordered?
Alt.1,21) If the thing exposed be but One, as a, it is certain, that the order can be but one. That is 1.
2) If Two be exposed, as a, b, it is also manifest, that they may be taken in a double order, as ab, ba, and no more. That is 1 x 2 = 2. Alt.3
3) If Three be exposed; as a, b, c: Then, beginning with a, the other two b, c, may (by art. 2,) be disposed according to Two different orders, as bc, cb; whence arise Two Changes (or varieties of order) beginning with a as abc, acb: And, in like manner it may be shewed, that there be as many beginning with b; because the other two, a, c, may be so varied, as bac, bca. And again as many beginning with c as cab, cba. And therefore, in all, Three times Two. That is 1 x 2, x 3 = 6.
Alt.34) If Four be exposed as a, b, c, d; Then, beginning with a, the other Three may (by art. preceeding) be disposed six several ways. And (by the same reason) as many beginning with b, and as many beginning with c, and as many beginning with d. And therefore, in all, Four times six, or 24. That is, the Number answering to the case next foregoing, so many times taken as is the Number of things here exposed. That is 1 x 2 x 3, x 4 = 6 x 4 = 24.
5) And in like manner it may be shewed, that this Number 24 Multiplied by 5, that is 120 = 24 x 5 = 1 x 2 x 3 x 4 x 5, is the number of alternations (or changes of order) of Five things exposed. (Or, the Number of Changes on Five Bells.) For each of these five being put in the first place, the other four will (by art. preceeding) admit of 24 varieties, that is, in all, five times 24. And in like manner, this Number 120 Multiplied by 6, shews the Number of Alternations of 6 things exposed; and so onward, by continual Multiplication by the conse quent Numbers 7, 8, 9, &c.;
6) That is, how many so ever of Numbers, in their natural Consecution, beginning from 1, being continually Multiplied, give us the Number of Alternations (or Change of order) of which so many things are capable as is the last of the Numbers so Multiplied. As for instance, the Number of Changes in Ringing Five Bells, is 1 x 2 x 3 x 4 x 5 = 120. In Six Bells, 1 x 2 x 3 x 4 x 5 x 6 = 120 x 6 = 720. In Seven Bells, 720 x 7 = 5040. In Eight Bells, 5040 x 8 = 40320, And so onward, as far as we please.”

John Wallis (1616–1703) English mathematician

Source: A Discourse of Combinations, Alterations, and Aliquot Parts (1685), Ch.II Of Alternations, or the different Change of Order, in any Number of Things proposed.

“Muslim historians credit all their heroes with many expeditions each of which “laid waste” this or that province or region or city or countryside. The foremost heroes of the imperial line at Delhi and Agra such as Qutbu’d-Dîn Aibak (1192-1210 A. D.), Shamsu’d-Dîn Iltutmish (1210-36 A. D.), Ghiyãsu’d-Dîn Balban (1246-66 A D.), Alãu’d-Dîn Khaljî (1296-1316 A. D.), Muhammad bin Tughlaq (1325-51 A. D.), Fîruz Shãh Tughlaq (135188 A. D.) Sikandar Lodî (1489-1519 A. D.), Bãbar (1519-26 A. D.) and Aurangzeb (1658-1707 A. D.) have been specially hailed for “hunting the peasantry like wild beasts”, or for seeing to it that “no lamp is lighted for hundreds of miles”, or for “destroying the dens of idolatry and God-pluralism” wherever their writ ran. The sultans of the provincial Muslim dynasties-Malwa, Gujarat, Sindh, Deccan, Jaunpur, Bengal-were not far behind, if not ahead, of what the imperial pioneers had done or were doing; quite often their performance put the imperial pioneers to shame. No study has yet been made of how much the human population declined due to repeated genocides committed by the swordsmen of Islam. But the count of cities and towns and villages which simply disappeared during the Muslim rule leaves little doubt that the loss of life suffered by the cradle of Hindu culture was colossal.”

Sita Ram Goel (1921–2003) Indian activist

Hindu Temples – What Happened to Them, Volume I (1990)

“I think 2-D animation disappeared from Disney because they made so many uninteresting films. They became very conservative in the way they created them. It's too bad. I thought 2-D and 3-D could coexist happily.”

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Hayao Miyazaki 34

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