Emperor Has No Clothes Award acceptance speech (2003)
Context: In the 1930s an anthropologist named Paul Radin first described it as "shamans being half mad," shamans being "healed madmen." This fits exactly. It's the shamans who are moving separate from everyone else, living alone, who talk with the dead, who speak in tongues, who go out with the full moon and turn into a hyena overnight, and that sort of stuff. It's the shamans who have all this metamagical thinking. When you look at traditional human society, they all have shamans. What's very clear, though, is they all have a limit on the number of shamans. That is this classic sort of balanced selection of evolution. There is a need for this subtype — but not too many.
The critical thing with schizotypal shamanism is, it is not uncontrolled the way it is in the schizophrenic. This is not somebody babbling in tongues all the time in the middle of the hunt. This is someone babbling during the right ceremony. This is not somebody hearing voices all the time, this is somebody hearing voices only at the right point. It's a milder, more controlled version.
Shamans are not evolutionarily unfit. Shamans are not leaving fewer copies of their genes. These are some of the most powerful, honored members of society. This is where the selection is coming from. … In order to have a couple of shamans on hand in your group, you're willing to put up with the occasional third cousin who's schizophrenic.
“Your criticism sounds to me as if you have read too many critical books and are too smart in an artificial, destructive, and very limited way.”
Source: The Habit of Being: Letters of Flannery O'Connor
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Flannery O’Connor 82
American novelist, short story writer 1925–1964Related quotes
“Too many critics mistake the deliberations of the Congress for its decisions.”
On the weekly radio broadcast, "Texas Forum of the Air" (November 1, 1942); reported in Congressional Record (November 2, 1942), vol. 88, Appendix, p. A3866.
“Too many people’s careers are ruined by praise instead of propelled by criticism.”
Future Proofing You (2021)
Variant: There are too many books I haven't read, too many places I haven't seen, too many memories I haven't kept long enough
On Bunyan's Pilgrim's Progress (1831)
Letter to Bernard Berenson (2 October 1952); published in Ernest Hemingway: Selected Letters 1917–1961 (1981) edited by Carlos Baker
“You can never, never have too many books”
"Anton Ego" in Ratatouille (2007)
Context: In many ways, the work of a critic is easy. We risk very little, yet enjoy a position over those who offer up their work and their selves to our judgment. We thrive on negative criticism, which is fun to write and to read. But the bitter truth we critics must face, is that in the grand scheme of things, the average piece of junk is probably more meaningful than our criticism designating it so. But there are times when a critic truly risks something, and that is in the discovery and defense of the new. The world is often unkind to new talents, new creations. The new needs friends. Last night, I experienced something new; an extraordinary meal from a singularly unexpected source. To say that both the meal and its maker have challenged my preconceptions about fine cooking, is a gross understatement. They have rocked me to my core. In the past, I have made no secret of my disdain for Chef Gusteau's famous motto, "Anyone can cook". But I realize — only now do I truly understand what he meant. Not everyone can become a great artist, but a great artist can come from anywhere. It is difficult to imagine more humble origins than those of the genius now cooking at Gusteau's, who is, in this critic's opinion, nothing less than the finest chef in France. I will be returning to Gusteau's soon, hungry for more.