“We're all put to the test… but it never comes in the form or at the point we would prefer, does it?”

Last update Feb. 25, 2025. History

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David Mamet28

American playwright, essayist, screenwriter, and film direc… 1947

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Context: America is already great. America is already strong. And I promise you, our strength, our greatness, does not depend on Donald Trump. In fact, it doesn’t depend on any one person. And that, in the end, may be the biggest difference in this election — the meaning of our democracy.
Ronald Reagan called America “a shining city on a hill.” Donald Trump calls it “a divided crime scene” that only he can fix. It doesn’t matter to him that illegal immigration and the crime rate are as low as they’ve been in decades — (applause) — because he’s not actually offering any real solutions to those issues. He’s just offering slogans, and he’s offering fear. He’s betting that if he scares enough people, he might score just enough votes to win this election.
And that's another bet that Donald Trump will lose. And the reason he'll lose it is because he’s selling the American people short. We're not a fragile people. We're not a frightful people. Our power doesn’t come from some self-declared savior promising that he alone can restore order as long as we do things his way. We don’t look to be ruled. Our power comes from those immortal declarations first put to paper right here in Philadelphia all those years ago: We hold these truths to be self-evident, that all men are created equal; that We the People, can form a more perfect union.
That's who we are. That’s our birthright — the capacity to shape our own destiny.

“Put the picture away or, preferably, send it back to me, dear Valentin. If people cannot understand it is based on their inner engagement with these matters, then there is no point in showing the thing at all.”

Max Beckmann (1884–1950) German painter, draftsman, printmaker, sculptor and writer

In a letter to his art-dealer Curt Valentin, Amsterdam, 11 February 1938; as quoted in Max Beckmann, Stephan Lackner, Bonfini Press Corporation, Naefels, Switzerland, 1983, p. 52
1930s