
“Well, you've finally got a license to kill. It's about time.”
Variant: So they finally gave you the license to kill, about time.
Source: Spirit Bound
“Well, you've finally got a license to kill. It's about time.”
Variant: So they finally gave you the license to kill, about time.
Source: Spirit Bound
“How poetic you are," she said. "I've a notion that poetry is the highest form of self-deception.”
Source: Wicked: The Life and Times of the Wicked Witch of the West
"Poetry and Grammar"
Lectures in America (1935)
Sam Harris, Real Time with Bill Maher (February 1, 2013)
2010s
"Legislators of the world" in The Guardian (18 November 2006) http://books.guardian.co.uk/comment/story/0,,1950812,00.html
Context: I'm both a poet and one of the "everybodies" of my country. I live with manipulated fear, ignorance, cultural confusion and social antagonism huddling together on the faultline of an empire. I hope never to idealise poetry — it has suffered enough from that. Poetry is not a healing lotion, an emotional massage, a kind of linguistic aromatherapy. Neither is it a blueprint, nor an instruction manual, nor a billboard. There is no universal Poetry, anyway, only poetries and poetics, and the streaming, intertwining histories to which they belong. There is room, indeed necessity, for both Neruda and César Valléjo, for Pier Paolo Pasolini and Alfonsina Storni, for both Ezra Pound and Nelly Sachs. Poetries are no more pure and simple than human histories are pure and simple. And there are colonised poetics and resilient poetics, transmissions across frontiers not easily traced.
From a letter to Robert W. Gordon (January 2, 1926)
Letters
“Poetry is just the evidence of life. If your life is burning well, poetry is just the ash.”
Gerti Fietzek, Gregor Stemmrich. Having been said: writings & interviews of Lawrence Weiner, 1968-2003, Hatje Cantz, 2004. p. 158
On doing things other women don't dare do; Popworld interview with Garbage in 2005 https://www.youtube.com/watch?v=6h4AqIDSzeI.