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Samuel R. Delany cytaty
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Samuel Ray Delany Jr. – amerykański pisarz science fiction i krytyk literacki. Laureat nagród Nebula i Hugo.

Dorastał w Harlemie w dobrze sytuowanej rodzinie afroamerykańskiej. Jego matka była bibliotekarką, a ojciec przedsiębiorcą pogrzebowym. Uczęszczał do Bronx High School of Science. Mimo iż publicznie przyznaje się do bycia gejem, przez 19 lat był żonaty z poetką Marilyn Hacker i ma córkę Ivę Hacker-Delany.

Od 1988 r. Delany zajmował stanowisko profesora literatury na kilku uniwersytetach, m.in. University of Massachusetts at Amherst, University at Buffalo, a ostatnio na Temple University w Filadelfii. Jest autorem książek z dziedziny literaturoznawstwa.

Debiutował jako pisarz w wieku 20 lat, powieścią The Jewels of Aptor. Uważany jest za czołowego twórcę Nowej Fali SF. Jego utwory charakteryzują się złożonością i wyrafinowaniem.

Oprócz powieści uznanie zdobyły także krótkie formy, np. opowiadania Aye, and Gomorrah i Time Considered as a Helix of Semi-precious Stones .

Jest dyslektykiem. Wikipedia  

✵ 1. Kwiecień 1942
Samuel R. Delany Fotografia
Samuel R. Delany: 131   Cytatów 0   Polubień

Samuel R. Delany: Cytaty po angielsku

“She simply has no concept of what’s real and what’s fantasy—did I say? She’s in the theater.”

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Samuel R. Delany książka Triton

Źródło: Triton (1976), Chapter 7 “Tiresias Descending, or Trouble on Triton” (p. 322)

“Difference is the foundation of those buildings, the pilings beneath the docks, tangled in the roots of the trees. Half the place was built on it. The other half couldn’t live without it. But to talk about it in public reveals you to be ill-mannered and vulgar.”

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Samuel R. Delany książka The Einstein Intersection

Section 9
The Einstein Intersection (1967)

“You're not looking for me, you know. I'm looking for you.”

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Samuel R. Delany książka The Einstein Intersection

Section 5
The Einstein Intersection (1967)

“That’s the trouble with spies, you know. It’s not that they carry information. It’s that they carry fragmentary information, out of context, misconstrued, badly interpreted, incomplete, and misread.”

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Samuel R. Delany książka Neveryóna

Źródło: Neveryóna (1983), Chapter 8, “Of Models, Moonlight, Mystery, and Authority” (p. 197)

“Breathing is a fascinating thing to watch in a woman.”

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Samuel R. Delany książka The Einstein Intersection

Section 12
The Einstein Intersection (1967)

“The whole problem, I suppose, is that any time some piece of communication strikes poor Fred, or any of the remaining Beasts, for that matter, as possibly meaningful—or is it meaningless? It’s been explained to me a dozen times and I still can’t get it right—anyway, his religious convictions say he has to either stop it or—barring that—refuse to be a party to it.”

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Samuel R. Delany książka Triton

Źródło: Triton (1976), Chapter 3 “Avoiding Kangaroos” (p. 113)

“Don’t go chattering to the stars if you’re going to do it with your eyes closed.”

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Samuel R. Delany książka Nova

Źródło: Nova (1968), Chapter 7 (p. 197)

“He was learning that power—the great power that shattered lives and twisted the course of nations—was like a fog over a meadow at evening. From any distance, it seemed to have a shape, a substance, a color, an edge, yet as you approached it, it seemed to recede before you. Finally, when common sense said you were at its very center, it still seemed just as far away, only by this time it was on all sides, obscuring any vision of the world beyond it.”

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Samuel R. Delany książka Tales of Nevèrÿon

Section 2 (p. 37)
Tales of Nevèrÿon (1979)

“For better or for worse, she found herself putting aside fear in favor of curiosity.”

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Samuel R. Delany książka Neveryóna

Źródło: Neveryóna (1983), Chapter 7, “Of Commerce, Capital, Myths, and Missions” (p. 163)

“You are not traditionally beautiful; and you know it. We women do. But what most people mean by beauty is really a kind of aesthetic acceptability, not so much character as a lack of it, a set of features and lineaments that hide their history, that suggest history itself does not exist. But the template by which we recognize the features and forms in the human body that cause the heart to halt, threatening to spill us over into the silence of death—that is drawn on another part of the soul entirely…But all sing, chant, hymn the history of the body, if only because we all know how people regard bodies that deviate from the lauded and totally abnormal norm named beauty. Most of us would rather not recognize such desires in ourselves and thus avoid all contemplation of what the possession of such features means about the lives, the bodies, the histories of others, preferring instead to go on merely accepting the acceptable. But that is not who I am.”

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Samuel R. Delany książka Neveryóna

Źródło: Neveryóna (1983), Chapter 5, “Of Matrons, Mornings, Motives, and Machinations” (p. 103; ellipsis represents a minor elision of description)

“The doll? Who decided that the young should rehearse the physical care of infants, so that they know them as objects to be bounced, cuddled, or abandoned when boring before they know their own, real infants as living beings full of the responsiveness anterior to language that is the basis of all expressed reason?”

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Samuel R. Delany książka Neveryóna

Źródło: Neveryóna (1983), Chapter 3, “Of Markets, Maps, Cellars, and Cisterns” (p. 62)

“And it is the notions of reality and unreality themselves which finally become suspect when either one is mirrored in art, much less when both are mirrored together.”

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Samuel R. Delany książka Neveryóna

Źródło: Neveryóna (1983), Chapter 3, “Of Markets, Maps, Cellars, and Cisterns” (p. 61)

“Whoever heard of La-ing or Lo-ing somebody you’re herding goats with, or laughing with, or making love with.”

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Samuel R. Delany książka The Einstein Intersection

Section 2
The Einstein Intersection (1967)

“What references she’d overheard were all oblique enough so that, without knowing what they referred to, she’d have no way to interpret them and so hadn’t really heard them at all.”

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Samuel R. Delany książka Neveryóna

Źródło: Neveryóna (1983), Chapter 13, “Of Survival, Celebration, and Unlimited Semiosis” (p. 404)

“Slaves are men and women who labor for no pay. Over there are men who do no labor for no pay. The similarity is enough so that they might make the mistake themselves.”

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Samuel R. Delany książka Neveryóna

Źródło: Neveryóna (1983), Chapter 7, “Of Commerce, Capital, Myths, and Missions” (p. 147)

“We have done a tiny bit to free the darkies in this country. But the devil is still very much our slave.”

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Samuel R. Delany książka Equinox

Źródło: Equinox (1973), p. 60

“It’s a map of a non-existent coast under an imaginary constellation on an impossible sky in—” he grunted, twisting something—“the middle of a ring of meaningless numbers. That’s why it’s powerful. That’s why it’s magic.”

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Samuel R. Delany książka Neveryóna

Źródło: Neveryóna (1983), Chapter 12, “Of Models, Monsters, Night, and the Numinous” (p. 365)

“The problem you have put me will remain a problem till the globe of the world and the globe of the sun meet in their common center and the one consumes the other. This answer I have proposed, however, humanity will know and forget, know and forget, know and forget again. And that knowing and forgetting will approximate the peaks and depths of civilization as closely as the quotient of your tosses approximates that number which, rationally, we know is not there.”

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Samuel R. Delany książka Neveryóna

Źródło: Neveryóna (1983), Chapter 12, “Of Models, Monsters, Night, and the Numinous” (p. 358)

“All life is a rhythm,” she said as I sat up. “All death is rhythm suspended, a syncopation before life resumes.”

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Samuel R. Delany książka The Einstein Intersection

Section 2
The Einstein Intersection (1967)

“Topologically, men and women are identical. Some things are just larger and more developed in one than the other and positioned differently.”

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Samuel R. Delany książka Triton

Źródło: Triton (1976), Chapter 6 “Objective Knowledge” (p. 266)

“And who’s to say where life ceases and theater begins”

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Samuel R. Delany książka Triton

Źródło: Triton (1976), Chapter 3 “Avoiding Kangaroos” (p. 113)

“I want to know but I can't see are you up there. I don't have a lot of strength now. The sky is stripped. I am too weak to write much. But I still hear them walking in the trees; not speaking. Waiting here, away from the terrifying weaponry, out of the halls of vapor and light, beyond holland and into the hills, I have come to”

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Samuel R. Delany książka Dhalgren

Part VII, "The Anathēmata" (p. 801)
Dhalgren (1975)

“Oh, for the rebirth of an educational system where understanding was an essential part of knowledge.”

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Samuel R. Delany książka Nova

Źródło: Nova (1968), Chapter 2 (p. 26)

“The inevitable is that unprepared for.”

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Samuel R. Delany książka Nova

Źródło: Nova (1968), Chapter 7 (p. 204)

“Childhood is that time in which we never question the fact that every adult act is not only an autonomous occurrence in the universe, but that it is also filled, packed, overflowing with meaning, whether that meaning works for ill or good, whether the ill or good is or is not comprehended.
Adulthood is that time in which we see that all human actions follow forms, whether well or badly, and it is the perseverance of the forms that is, whether for better or worse, their meaning.
Various cultures make the transition at various ages, which transition period lasts for varying lengths of time, one accomplishing it in a week with careful dances, ancient prayers, and isolate and specified rituals; another, letting it take its own course, offering no help for it, and allowing it to run on frequently for years. But at the center of the changeover there is a period—whether it be a moment’s vision or a year-long suspicion—where the maturing youth sees all adult behavior as merely formal and totally meaningless.”

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Samuel R. Delany książka Tales of Nevèrÿon

Section 3 (p. 114)
Tales of Nevèrÿon (1979)

“I want to talk about love. Loving someone…I mean really loving someone…means you are willing to admit that the person you love is not what you first fell in love with, not the image you first had; and you must be able to like them still for being as close to that image as they are, and avoid disliking them for being so far away.”

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Samuel R. Delany

The Star Pit (1967)

“One would almost think that they [straight white males] felt empowered to take anything the society produced, no matter how marginal, and utilize it for their own ends — dare we say "exploit it"? — certainly to take advantage of it as long as it's around. And could this possibly be an effect of discourse? Perhaps it might even be one we on the margins might reasonably appropriate to our profit… or perhaps some of us already have.”

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Samuel R. Delany

The Rhetoric of Sex, The Discourse of Desire

“While any situation could be used as an image of any other, no thing could be an image of another—especially two things as complicated as two people. And to use them as such was to abuse them and delude oneself—that it was the coherence and ability of things (especially people) to be their unique and individual selves that allowed the malleability and richness of images to occur at all.”

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Samuel R. Delany książka Tales of Nevèrÿon

Section 2 (pp. 102-103)
Tales of Nevèrÿon (1979)

“You have to grow all the time," I said. "Not necessarily get bigger. But inside your head you have to grow, kid-boy. For us human-type people, that’s what’s important. And that kind of growing never stops. At least, it shouldn’t. You can grow, kid-boy, or you can die. That’s the choice you've got, and it goes on all of your life.”

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Samuel R. Delany

The Star Pit (1967)

“The emblem of a philosophy is not that it contains a set of specific thoughts, but that it generates a way of thinking.”

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Samuel R. Delany książka Triton

Appendix B (p. 363)
Triton (1976)