Primo Levi cytaty

The Drowned and the Saved (1986)

The Drowned and the Saved (1986)
Kontekst: In countries and epochs in which communication is impeded, soon all other liberties wither; discussion dies by inanition, ignorance of the opinion of others becomes rampant, imposed opinions triumph. The well-known example of this is the crazy genetics preached in the USSR by Lysenko, which in the absence of discussion (his opponents were exiled to Siberia) compromised the harvests for twenty years. Intolerance is inclined to censor, and censorship promotes ignorance of the arguments of others and thus intolerance itself: a rigid, vicious circle that is hard to break.

Źródło: The Periodic Table

"Bear Meat" in The New Yorker (8 January 2007) http://www.newyorker.com/fiction/features/2007/01/08/070108fi_fiction_levi?currentPage=all
Kontekst: I read somewhere — and the person who wrote this was not a mountaineer but a sailor — that the sea’s only gifts are harsh blows and, occasionally, the chance to feel strong. Now, I don’t know much about the sea, but I do know that that’s the way it is here. And I also know how important it is in life not necessarily to be strong but to feel strong, to measure yourself at least once, to find yourself at least once in the most ancient of human conditions, facing blind, deaf stone alone, with nothing to help you but your own hands and your own head.

The Wrench (1978)
Kontekst: Nothing can be said: nothing sure, nothing probable, nothing honest. Better to err through omission than through commission: better to refrain from steering the fate of others, since it is already so difficult to navigate one's own.

As quoted in "Primo Levi and Translation" http://www.leeds.ac.uk/bsis/98/98pltrn.htm by David Mendel http://findarticles.com/p/articles/mi_qn4158/is_20070320/ai_n18738601/print, in Bulletin of the Society for Italian Studies (1998)
Kontekst: Translation is difficult work because the barriers between languages are higher than is generally thought … knowing how to avoid the traps is not enough to make a good translator. The task is more arduous; it is a matter of transferring from one language to another the expressive force of the text, and this is a superhuman task, so much so that some celebrated translations (for example that of the Odyssey into Latin and the Bible into German) have marked transformations in the history of our civilisation.
Nonetheless, since writing results from a profound interaction between the creative talent of the writer and the language in which he expresses himself, to each translation is coupled an inevitable loss, comparable to the loss of changing money. This diminution varies in degree, great or small according to the ability of the translator and the nature of the original text. As a rule it is minimal for technical or scientific texts (but in this case the translator, in addition to knowing the two languages, needs to understand what he is translating; possess, that is to say, a third competence). It is maximal for poetry...

The Drowned and the Saved (1986)
Kontekst: In countries and epochs in which communication is impeded, soon all other liberties wither; discussion dies by inanition, ignorance of the opinion of others becomes rampant, imposed opinions triumph. The well-known example of this is the crazy genetics preached in the USSR by Lysenko, which in the absence of discussion (his opponents were exiled to Siberia) compromised the harvests for twenty years. Intolerance is inclined to censor, and censorship promotes ignorance of the arguments of others and thus intolerance itself: a rigid, vicious circle that is hard to break.

"Nitrogen"
The Periodic Table (1975)
Kontekst: The trade of chemist (fortified, in my case, by the experience of Auschwitz), teaches you to overcome, indeed to ignore, certain revulsions that are neither necessary or congenital: matter is matter, neither noble nor vile, infinitely transformable, and its proximate origin is of no importance whatsoever. Nitrogen is nitrogen, it passes miraculously from the air into plants, from these into animals, and from animals into us; when its function in our body is exhausted, we eliminate it, but it still remains nitrogen, aseptic, innocent.

The Drowned and the Saved (1986)

Źródło: If This Is a Man / The Truce

Interview with Daniel Toaff, Sorgenti di Vita (25 March 1983); translated by Mirto Stone

If This Is a Man (1947)
Kontekst: Sooner or later in life everyone discovers that perfect happiness is unrealizable, but there are few who pause to consider the antithesis: that perfect unhappiness is equally unattainable. The obstacles preventing the realization of both these extreme states are of the same nature: they derive from our human condition, which is opposed to everything infinite. Our ever-insufficient knowledge of the future opposes it: and this is called, in the one instance, hope, and and in the other, uncertainty of the following day. The certainty of death opposes it: for it places a limit on every joy, but also on every grief. The inevitable material cares oppose it: for as they poison every lasting happiness, they equally assiduously distract us from our misfortunes and make our consciousness of them intermittent and hence supportable.

Źródło: The Drowned and the Saved

Źródło: The Periodic Table

Źródło: The Periodic Table

The Drowned and the Saved (1986)

"Hydrogen"
The Periodic Table (1975)

"The Irritable Chess-Players"
Other People's Trades (1985)

If This Is a Man (1947)

"The Premise," The Mirror Maker (1986)

The Wrench (1978)

The Wrench (1978)

"The Survivor" (1984)
Collected Poems (1984)

"The Work" (1983)
Collected Poems (1984)

Collected Poems (1984)