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Piero Manzoni cytaty

Piero Manzoni − włoski artysta, przedstawiciel sztuki konceptualnej.

Manzoni jako malarz eksperymentował z różnymi materiałami i pigmentami. Wykorzystywał m.in. farbę fluorescencyjną i chlorek kobaltu, by kolor obrazów zmieniał się z upływem czasu. Jego rzeźby wykonane były z takich materiałów jak bawełna, włókno szklane i futro królicze.

W 1958 roku stworzył 45 "pneumatycznych rzeźb" - na życzenie nabywcy wypełnionych oddechem artysty. Próbował stworzyć mechaniczne zwierzę jako ruchomą rzeźbę korzystając z energii słonecznej jako źródła prądu. W roku 1960 stworzył kulę utrzymywaną w powietrzu strumieniem powietrza.

W tym samym roku Manzoni ugotował pewną ilość jajek na twardo, a następnie oznaczył je odciskiem swojego kciuka. Wystawa tak powstałych dzieł sztuki została w ciągu 70 minut zjedzona podczas wernisażu. Inną jego akcją było ogłoszenie kilku ludzi chodzącymi dziełami sztuki - zaszczytu tego dostąpił m.in. Umberto Eco.

W maju 1961 roku Manzoni dokonał defekacji do 90 niewielkich puszek, które następnie zostały fabrycznie zamknięte i opatrzone napisem "Gówno artysty" . W późniejszym czasie pojawiły się nieudokumentowane pogłoski, jakoby w wyniku wewnętrznego ciśnienia i postępującej korozji metalu, część puszek eksplodowała lub zaczęła przeciekać.W tym samym roku Manzoni na swoich wystawach podpisywał nagich ludzi i wydawał im certyfikaty autentyczności. Stworzył też "magiczny postument" - człowiek stojący na nim automatycznie stawał się dziełem sztuki.

Piero Manzoni umarł w swoim studio we Włoszech. Wikipedia  

✵ 13. Lipiec 1933 – 6. Luty 1963
Piero Manzoni Fotografia
Piero Manzoni: 16   Cytatów 0   Polubień

Piero Manzoni: Cytaty po angielsku

“So it is obvious that at first glance there would seem to be a paradox: the more we immerse ourselves in ourselves, the more open we become, since the closer we get to the germ of our totality the closer we are to the germ of totality of all men. We can therefore say that subjective invention is the only means of discovering objective reality, the only means that gives us the possibility of communication between men”

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Piero Manzoni

Źródło: For the Discovery of a Zone of Images', Piero Manzoni, 1957, pp. 18-19

“I sell an idea, an idea in a can.”

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Piero Manzoni

Quote of Manzoni, (refering to his art-work in 1961 'Artist Shit'); as cited on 'Heart', in the aricle 'More about Piero Manzoni' http://www.heartmus.dk/en/about-heart/our-collection/piero-manzoni/more-about-piero-manzoni.html

“The foundations of the universal value of art are given to us now by psychology. This is the common base that enables us to sink its roots to the origins before man and to discover the primary myths of humanity. The artist must confront these myths and reduce them, by means of amorphous and confused materials, to clear images. Since these are atavistic forces that have their origins in the subconscious, the work of art takes on a magical significance.”

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Piero Manzoni

Źródło: For the Discovery of a Zone of Images', Piero Manzoni, 1957, pp. 16-17

“You [Dutch Zero-artist, Henk Peeters] take the North of Europe, I'll take the South. Switzerland will be our neutral zone where we shall have our common exhibition. (Manzoni's reaction when Henk Peeters accused him of plagiary]”

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Piero Manzoni

Źródło: De Tweede Helft', Ad de Visser, 1998, p. 161

“To arrive at such a discovery, fruit of a log and precious education, involves a whole field of precise technique. The artist must immerse himself in his own anxiety, dredging up everything that is alien, imposed or personal in the derogatory sense, in order to arrive at the authentic zone of values.”

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Piero Manzoni

Źródło: For the Discovery of a Zone of Images', Piero Manzoni, 1957, pp. 18-19

“The work of art has its origin in an unconscious impulse that springs from collective substrata of universal values common to all men, from which all men draw their gestures, and from which the artist derives the 'archaic' of organic existence. Every man of his own accord extracts the human element from this base, without realizing it, and in an elementary and immediate way.”

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Piero Manzoni

Źródło: For the Discovery of a Zone of Images', Piero Manzoni, 1957, pp. 16-17

“The key point today is to establish the universal validity of individual mythology... The artistic moment is therefore that in which the discovery of pre-conscious universal myths comes about, and in the reduction of these into the form of images. It is clear that if the artist is to be able to bring to light zones of myth that are authentic and virginal he must have both an extreme degree of self-awareness and the gifts of iron precision and logic.”

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Piero Manzoni

Źródło: For the Discovery of a Zone of Images', Piero Manzoni, 1957, pp. 16-17

“You [=Yves Klein ] are the 'monochrome bleu' and I am the 'monochrome blanc'; we should start to cooperate together, we two. [Manzoni's remark, during their first meeting]”

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Piero Manzoni

Źródło: De Tweede Helft', Ad de Visser, 1998, p. 161

“.. a single uninterrupted and continuous surface from which anything superfluous and all interpretative possibilities are excluded. [referring to his 'Achromes', Manzoni started to make in 1957]”

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Piero Manzoni

Quote of Manzoni, in Display Caption of 'Achrome' 1958 http://www.tate.org.uk/art/artworks/manzoni-achrome-t01871', Tate, July 2008]

“There comes a point where individual mythology and universal mythology are identical. In this context it is clear that there can be no concern with symbolism and description, memories, misty impressions, of childhood, pictoricism, sentimentalism: all this must be absolutely excluded. So must every hedonistic repetition of arguments that have already been exhausted, since the man who continues to trifle with myths that have already been discovered is an aesthete, and worse.”

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Piero Manzoni

Źródło: For the Discovery of a Zone of Images', Piero Manzoni, 1957, pp. 18-19

“Why not to set free these forms? Why not trying to uncover the infinite meaning of absolute space, the meaning of pure and absolute light? [Manzoni is referriung to the colourless, but still matter-made art paintings, made by Zero artists, around 1950-60]”

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Piero Manzoni

Źródło: De Tweede Helft', Ad de Visser, 1998, p. 159

“I would like to draw a white line covering the complete Greenwich meridian.”

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Piero Manzoni

Źródło: De Tweede Helft', Ad de Visser, 1998, p. 160

“Abstractions and references must be totally avoided. In our freedom of invention we must succeed in constructing a world that can be measured only in its own terms. We absolutely cannot consider the picture as a space onto which to project our mental scenography. It is the area of freedom in which we search for the discovery of our first images. Images which are absolute as possible, which cannot be valued for that which they record, explain and express, but only for that which they are to be.”

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Piero Manzoni

Źródło: For the Discovery of a Zone of Images', Piero Manzoni, 1957, pp. 18-19

“When I blow up a balloon, I am breathing my soul into an object that becomes eternal. [Manzoni's quote of 1960, referring to his art-work 'Artist's Breath']”

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Piero Manzoni

Źródło: 'Piero Manzoni', exhibition catalogue, Serpentine Gallery, London 1998, p.144

“Where the artist is concerned it is a question of the conscious immersion in himself, through which, once he has got beyond the individual and contingent level, he can probe deep down to reach the living germs of total humanity. Everything that is humanly communicable is derived from this, and it is through the discovery of the psychic substrata that all men have in common that the relationship of author-work-spectator is made possible. In this way the work of art has the totemic value of living myth, without symbolic or descriptive dispersion: it is a primary and direct expression.”

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Piero Manzoni

Źródło: For the Discovery of a Zone of Images', Piero Manzoni, 1957, pp. 16-17

“I should like all artists to sell their fingerprints, or else stage competitions to see who can draw the longest line or sell their shit in tins..”

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Piero Manzoni

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