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Jon Courtenay Grimwood cytaty

Jon Courtenay Grimwood – brytyjski pisarz science fiction.

Urodził się w Valletcie na Malcie, dorastał w Wielkiej Brytanii, południowo-wschodniej Azji i Norwegii w latach 60. i 70. Studiował w Kingston College, potem pracował jako niezależny dziennikarz m.in. dla The Guardian. Mieszka w Londynie i Winchester. Żonaty z dziennikarką i powieściopisarką Sam Baker.

Jego wczesną twórczość można określić jako post-cyberpunkową. Otrzymał nagrodę British Science Fiction Association za powieść Fellahowie w 2003 i rok wcześniej był nominowany do nagrody Arthura C. Clarka za Pasza-zade. Wikipedia  

✵ 1953
Jon Courtenay Grimwood Fotografia
Jon Courtenay Grimwood: 14   Cytatów 0   Polubień

Jon Courtenay Grimwood: Cytaty po angielsku

“The fifty-third Chuang Tzu wore the very first on his cloak as a diamond buckle. Every emperor became a diamond eventually. It was one of the few advantages of living as a carbon-based life form.”

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Jon Courtenay Grimwood

Źródło: Stamping Butterflies (2004), Chapter 25 (p. 157)

“Gene Newman was Catholic, although not so Catholic that he had more than two children.”

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Jon Courtenay Grimwood

Źródło: Stamping Butterflies (2004), Chapter 33 (p. 210)

“Apparently this was a design flaw in the unaugmented human brain, a lagging of consciousness behind intent.”

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Jon Courtenay Grimwood

Źródło: Stamping Butterflies (2004), Chapter 16 (p. 106)

“Inside every adult was a child, or so it is said. Professor Petra Mayer was different. Inside Petra Mayer was an impossibly beautiful, barefoot adolescent who wouldn’t have been seen dead giving her inner child the time of day.”

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Jon Courtenay Grimwood

Źródło: Stamping Butterflies (2004), Chapter 33 (p. 212)

“He had been fighting with himself longer than he could remember and was still not sure who was winning.”

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Jon Courtenay Grimwood

Źródło: Stamping Butterflies (2004), Chapter 5 (p. 37)

““Any chance you own a hijab?”
The answer was no, but Malika could borrow one. Come to that, she could steal one freshly washed off the wall behind her house and claim a sudden, God-inspired attack of modesty if she got caught. The old crows were quite stupid enough to believe that.”

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Jon Courtenay Grimwood

Źródło: Stamping Butterflies (2004), Chapter 53 (p. 323)

“Immortality had been perfected, at least in its non-biological forms, but insufficient attention had been paid to the boredom of eternity and the corrosive nature of the ratchet effect which demanded ever sharper, stronger and more intense sensations to maintain something like the same level of satisfaction.
Living forever turned out to be much like long-term sex, psychologically tricky; which was why what killed the original colonists was not hardship but boredom.”

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Jon Courtenay Grimwood

Źródło: Stamping Butterflies (2004), Chapter 10 (p. 71)

“But those would be lies and Tris never lied to herself. At least not more than was required to stay human or sane. Lying to others was different. That was what people like her did if they wanted to remain alive.”

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Jon Courtenay Grimwood

Źródło: Stamping Butterflies (2004), Chapter 40 (p. 257)

“There was no way she could know, but Prisoner Zero asked anyway because he was talking to himself; which was all anyone ever did, it seemed to him, talk to themselves while half meanings and misunderstandings fed into the minds of those who thought they were listening.”

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Jon Courtenay Grimwood

Źródło: Stamping Butterflies (2004), Chapter 51 (pp. 318-319)

“Why would we do this? she asked, watching smoke trickle towards the ceiling. A whole world of rigid rules covering temperature, convection and Brownian motion all busily pretending to be truly chaotic.”

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Jon Courtenay Grimwood

Źródło: Stamping Butterflies (2004), Chapter 39 (pp. 246-247)

“That’s impossible,” said Tris.
“Most things are,” Luca said, “if you think about them for long enough.”

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Jon Courtenay Grimwood

Źródło: Stamping Butterflies (2004), Chapter 40 (p. 254)

“The third nightfall was less impressive than the second, which mirrored a rule Tris had already identified; new emotions devalued, going from intense through familiar to reach a kind of ghost state where one no longer really noticed them at all.”

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Jon Courtenay Grimwood

Źródło: Stamping Butterflies (2004), Chapter 37 (p. 237)

“The thought came and went, more wish than thought. Maria wasn’t good at considering her own emotions. Most of the time the girl found it hard to believe that what she felt might matter.”

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Jon Courtenay Grimwood

Źródło: Stamping Butterflies (2004), Chapter 50 (p. 308)

“We’re getting old,” he said.
“No,” said Paula Zarte. “You are. I’m just not as young as I was.”

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Jon Courtenay Grimwood

Źródło: Stamping Butterflies (2004), Chapter 48 (p. 296)