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George Augustus Moore cytaty

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George Augustus Moore - irlandzki pisarz, poeta, krytyk, dramaturg, twórca pamiętników.

Moore pochodził z katolickiej rodziny, urodził się w Moore Hall w hrabstwie Mayo. Początkowo pragnął zostać malarzem, co zaowocowało studiami artystycznymi w Paryżu w latach 70. XIX wieku. Przebywając we Francji, poznał wielu czołowych francuskich twórców tego okresu.

Był pierwszym anglojęzycznym pisarzem epoki naturalizmu, który działał pod wpływem Émile Zoli. Zgodnie z teorią krytyka Richarda Ellmanna, jego dzieła stanowiły jedną z inspiracji dla Jamesa Joyce’a i chociaż może się wydawać, że prace Moore’a nie wpisują się w główny nurt panujący zarówno w irlandzkiej, jak i brytyjskiej literaturze, często uznaje się go za pierwszego wielkiego współczesnego irlandzkiego pisarza.

Jako jeden ze współtwórców Irish Literary Theatre w znaczący sposób przyczynił się do powstania Abbey Theatre. Wikipedia  

✵ 24. Luty 1852 – 21. Styczeń 1933   •   Natępne imiona Georgie Moore
George Augustus Moore Fotografia
George Augustus Moore: 33   Cytaty 0   Polubień

George Augustus Moore: Cytaty po angielsku

“I will admit that an artist may be great and limited; by one word he may light up an abyss of soul; but there must be this one magical and unique word.”

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George Moore (novelist)

Źródło: Confessions of a Young Man http://www.gutenberg.org/files/12278/12278-h/12278-h.htm (1886), Ch. 12.
Kontekst: I will admit that an artist may be great and limited; by one word he may light up an abyss of soul; but there must be this one magical and unique word. Shakespeare gives us the word, Balzac, sometimes, after pages of vain striving, gives us the word, Tourgueneff gives it with miraculous certainty; but Henry James, no; a hundred times he flutters about it; his whole book is one long flutter near to the one magical and unique word, but the word is not spoken; and for want of the word his characters are never resolved out of the haze of nebulae. You are on a bowing acquaintance with them; they pass you in the street, they stop and speak to you, you know how they are dressed, you watch the colour of their eyes.

“The public will accept a masterpiece, but it will not accept an attempt to write a masterpiece.”

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George Moore (novelist)

Vain Fortune http://www.gutenberg.org/files/11303/11303.txt, Chapter 1 (1891).

“Acting is therefore the lowest of the arts, if it is an art at all.”

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George Moore (novelist)

Impressions and Opinions (1891): "Mummer-Worship".

“All reformers are bachelors.”

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George Moore (novelist)

Act I http://books.google.com/books?id=HWs-AAAAYAAJ&q=%22All+reformers+are+bachelors%22&pg=PA14#v=onepage
The Bending of the Bough (1900)

“We all want notoriety; our desires on this point, as upon others, are not noble, but the human is very despicable vermin and only tolerable when it tends to the brute, and away from the evangelical.”

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George Moore (novelist)

Źródło: Confessions of a Young Man http://www.gutenberg.org/files/12278/12278-h/12278-h.htm (1886), Ch. 16.

“It is said that young men of genius come to London with great poems and dramas in their pockets and find every door closed against them. Chatterton's death perpetuated this legend. But when I, George Moore, came to London in search of literary adventure, I found a ready welcome. Possibly I should not have been accorded any welcome had I been anything but an ordinary person.”

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George Moore (novelist)

Źródło: Confessions of a Young Man http://www.gutenberg.org/files/12278/12278-h/12278-h.htm (1886), Ch. 12.

“I have always noticed that when a fellow wants to finish a play, the only way to do it is to go away to the country and leave no address.”

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George Moore (novelist)

Vain Fortune, Chapter 1.

“Terrible is the day when each sees his soul naked, stripped of all veil; that dear soul which he cannot change or discard, and which is so irreparably his.”

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George Moore (novelist)

Źródło: Confessions of a Young Man http://www.gutenberg.org/files/12278/12278-h/12278-h.htm (1886), Ch. 1.

“Love — but not marriage. Marriage means a four-post bed and papa and mamma between eleven and twelve. Love is aspiration: transparencies, colour, light, a sense of the unreal. But a wife — you know all about her — who her father was, who her mother was, what she thinks of you and her opinion of the neighbours over the way. Where, then, is the dream?”

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George Moore (novelist)

Źródło: Confessions of a Young Man http://www.gutenberg.org/files/12278/12278-h/12278-h.htm (1886), Ch. 9.

“One must be in London to see the spring.”

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George Moore (novelist)

Źródło: Memoirs of My Dead Life http://www.gutenberg.org/dirs/etext05/8mmdl10.txt (1906), Ch. 1: Spring in London

“He must put his shoulder to the wheel and get it right; one more push, that was all that was wanted.”

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George Moore (novelist)

Vain Fortune, Chapter 2.

“Self is man's main business; all outside of self is uncertain, all comes from self, all returns to self.”

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George Moore (novelist)

Źródło: Memoirs of My Dead Life http://www.gutenberg.org/dirs/etext05/8mmdl10.txt (1906), Ch. 12: Sunday Evening in London

“Ugliness is trivial, the monstrous is terrible.”

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George Moore (novelist)

Źródło: Confessions of a Young Man http://www.gutenberg.org/files/12278/12278-h/12278-h.htm (1886), Ch. 3.

“Humanity is a pigsty, where lions, hypocrites, and the obscene in spirit congregate.”

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George Moore (novelist)

Źródło: Confessions of a Young Man http://www.gutenberg.org/files/12278/12278-h/12278-h.htm (1886), Ch. 16.

“My soul, so far as I understand it, has very kindly taken colour and form from the many various modes of life that self-will and an impetuous temperament have forced me to indulge in. Therefore I may say that I am free from original qualities, defects, tastes, etc. What is mine I have acquired, or, to speak more exactly, chance bestowed, and still bestows, upon me. I came into the world apparently with a nature like a smooth sheet of wax, bearing no impress, but capable of receiving any; of being moulded into all shapes.”

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George Moore (novelist)

Źródło: Confessions of a Young Man http://www.gutenberg.org/files/12278/12278-h/12278-h.htm (1886), Ch. 1.

“I am filled with pride when I think of the noble and exalted world that must have existed before Christian doctrine caused men to look upon women with suspicion and bade them to think of angels instead.”

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George Moore (novelist)

Apologia Pro Scriptis Meis.
Memoirs of My Dead Life http://www.gutenberg.org/dirs/etext05/8mmdl10.txt (1906)

“Faith goes out of the window when beauty comes in at the door.”

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George Moore (novelist)

The Lake http://www.gutenberg.org/files/11304/11304-8.txt (1905) [Appleton, 2005, digitized edition], ch. IX (p. 169).

“The mind petrifies if a circle be drawn around it, and it can hardly be denied that dogma draws a circle round the mind.”

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George Moore (novelist)

Hail and Farewell (1912), vol. 2: Salve, Kessinger Publishing, 2005, ISBN 1-417-93272-4, ch. XV (p. 36).

“Injustice we worship; all that lifts us out of the miseries of life is the sublime fruit of injustice. Every immortal deed was an act of fearful injustice; the world of grandeur, of triumph, of courage, of lofty aspiration, was built up on injustice. Man would not be man but for injustice.”

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George Moore (novelist)

Źródło: Confessions of a Young Man http://www.gutenberg.org/files/12278/12278-h/12278-h.htm (1886), Ch. 10.

“But if you want to be a painter you must go to France — France is the only school of Art.”

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George Moore (novelist)

Źródło: Confessions of a Young Man http://www.gutenberg.org/files/12278/12278-h/12278-h.htm (1886), Ch. 1.

“The world is dying of machinery; that is the great disease, that is the plague that will sweep away and destroy civilization; man will have to rise against it sooner or later.”

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George Moore (novelist)

Źródło: Confessions of a Young Man http://www.gutenberg.org/files/12278/12278-h/12278-h.htm (1886), Ch. 7.

“Never could I interest myself in a book if it were not the exact diet my mind required at the time, or in the very immediate future. The mind asked, received, and digested. So much was assimilated, so much expelled; then, after a season, similar demands were made, the same processes were repeated out of sight, below consciousness, as is the case in a well-ordered stomach.”

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George Moore (novelist)

Źródło: Confessions of a Young Man http://www.gutenberg.org/files/12278/12278-h/12278-h.htm (1886), Ch. 2.

“A man travels the world over in search of what he needs and returns home to find it.”

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George Moore (novelist)

The Brook Kerith http://www.gutenberg.org/files/12821/12821-h/12821-h.htm, ch. 11 (1916).

“It does not matter how badly you paint so long as you don't paint badly like other people.”

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George Moore (novelist)

Źródło: Confessions of a Young Man http://www.gutenberg.org/files/12278/12278-h/12278-h.htm (1886), Ch. 6.

“One thing that cannot be denied to the realists: a constant and intense desire to write well, to write artistically. When I think of what they have done in the matter of the use of words, of the myriad verbal effects they have discovered, of the thousand forms of composition they have created, how they have remodelled and refashioned the language in their untiring striving for intensity of expression for the very osmazome of art, I am lost in ultimate wonder and admiration.”

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George Moore (novelist)

Źródło: Confessions of a Young Man http://www.gutenberg.org/files/12278/12278-h/12278-h.htm (1886), Ch. 13.

“The hours I spend with you I look upon as sort of a perfumed garden, a dim twilight, and a fountain singing to it… you and you alone make me feel that I am alive… Other men it is said have seen angels, but I have seen thee and thou art enough.”

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George Moore (novelist)

Letter to Lady Emerald Cunard, quoted in The Everything Wedding Vows Book : Anything and Everything You Could Possibly Say at the Altar, and then Some. (2001) by Janet Anastasio and Michelle Bevilacqua, p. 97.

“It would appear that practical morality consists in making the meeting of men and women as casual as that of animals.”

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George Moore (novelist)

Apologia Pro Scriptis Meis.
Memoirs of My Dead Life http://www.gutenberg.org/dirs/etext05/8mmdl10.txt (1906)

“A great artist is always before his time or behind it.”

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George Moore (novelist)

Źródło: As quoted in Conversations with George Moore (1929) by Geraint Goodwin, p. 123